Although Indian commercial films in recent years have more and more potential to surpass Hollywood, especially several films starring Aamir Khan have become popular topics one after another, but this latest blockbuster film is too rough in terms of script. Grinding is not fine enough. The two clues of the little girl, the mother and the outdated musician have not been able to blend with each other reasonably. They rely on too many coincidences at the expense of the logical development of the plot. As for the little girl and the male classmates, other branches are more suspect. , making the space too bloated and the subject out of focus. The two climaxes at the end were also not handled comprehensively. The airport scene should be the most explosive and thought-provoking part of the whole film anyway, but now the final award ceremony scene has become awkward and boring, and the story is discouraged by the tough question. Not a lot. The ideal part is that the director dares to use frank and straightforward methods to expose and denounce the domestic violence problem and patriarchal ideology in India today, and fight for freedom and equal rights for women with the most sincere attitude. Even too much dramatic conflict can't hide the positive meaning of this old-fashioned story.
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