"Last Year at Marienbad"

Glenna 2022-04-19 09:02:37

Key words: Hollywood movies; New Wave movement; Godard; Alain Resnais; Varda

Hollywood movies use a rhythm created by the ups and downs of music, the length of the screen stay, etc. to completely "control" the audience's emotions and attention. Terrible power. At the same time, the coherent editing of time and space, which Hollywood films prefer to adopt, is likely to be broken by these "rebel" directors in the French New Wave movement.

Compared with Godard's "jump cut", which is still in a coherent narrative structure at least, Allen Resnais has entered the realm of the subconscious. The literary nature of the film has reached the extreme, time and space are completely separated, the lines are like a dream, and the pictures Also like a dream. After reading it, I can understand why the new wave directors after Griffith created the greatest film language, and after this, there is no new creation.

The admirable scene scheduling, mirroring, strong flashbacks, and the constant repetition of the script are amazing. I watched Varda's documentary yesterday, and she also likes to use the repetition of the picture in the film to express an extreme emotion, such as extreme sadness or surprise (used in "Uncle Yangke" and "Happiness"). The repetition of Alain Resnais is more about expressing a vagueness of memory, which is the charm of memory (perhaps also the abomination of memory).

In addition, the pleasure of the senses, the creation of atmosphere and emotions, the black and white tone and the slightly terrifying (?) Gothic music have created a kind of solemn and unique beauty. I seem to feel this kind of beauty in his "Hiroshima Love". Thus, a very advanced audio-visual enjoyment is brought to the audience.

Finally, I have to praise Alain Resnais's film as a model of stream-of-consciousness literary film. Also, the understanding of the film's main theme (although the director himself declared that the film has no meaning hh), because this film is deeply influenced by existentialism, it may be revisited a second time after making up a lesson.

(By the way, blur's "to the end" mv is also a tribute to this film qwq)

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Extended Reading
  • Kole 2022-03-26 09:01:10

    The traditional film is to construct the timeline and space, and give the characters the characteristics of the environment. Renais will try to penetrate the time and space to construct the changeable world, just like the classic human figure. In the scene where there is no shadow of the tree, the world that exists outside is constructed with dialogue. The dialogue in the whole movie ignores the body of the characters, ignores the walls, ignores the reality and the past, ignores the place where the event happened, the fiction and the truth are only in the hearts of the people

  • Bette 2022-03-15 09:01:05

    Is it a literary work or a film work?

Last Year at Marienbad quotes

  • X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.

    A: I have never stayed so long anywhere.

    X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?

    A: You're raving! I'm tired, leave me alone!

  • X: [Last Lines] The grounds of the hotel were symmetrically arranged, without trees or flowers, or plants of any kind. The gravel, the stone, and the marble were spread in strict array in unmysterious shapes. At first sight, it seemed impossible to lose your way. At first sight... Along these stone paths and amidst these statues, where you were already losing your way forever in the still night, alone with me.