The screenwriter is too good, and the foreshadowing is so deep that the treacherous and evil in human nature leaks step by step, like the faint ghost fire in the dark, which makes the viewer's back feel a chill. Killing a child and prompting Jesse to cooperate, once a substitute appears, kill the former, a secretary can extort a sum of money in an emergency...
The screenwriter is too good, the moral bottom line is life or death again and again After the choice is pulled down, the viewer can understand and forgive the fact of sin. In one episode, Walt revealed that "I did all of this because of my own personal choice." In the survival jungle competition of life and death, there is no accurate standard for the choice of right and wrong, good and evil. For example, Jesse was forced to kill as a last resort. For example, Walt drove into a car and killed two drug dealers. Skyler's original intention of laundering money. It seems that every evil has its inevitable reason, and it is pale and weak to measure it with simple morality.
The screenwriter is too good, and the character of packaging and placing the sin itself and the person who committed it is perfect, which is commendable. For example, Gus cuts vegetables and cooks calmly and gracefully (even the graceful ways of laying out a towel when vomiting poison, and tidying up a bow tie before death), while the other side is the blood of murderous blood ruthlessly ; For example, Jesse's drug use, childishness, sometimes short-circuited brain, irritable personality, zero tolerance for using children to sell drugs, etc. Of course Walt looks cowardly and helpless, but is actually cunning and cunning.
In addition, what I especially like is its soundtrack, it really adds the finishing touch to the dark and dark picture and the tension complex.
View more about Box Cutter reviews
