The last film review of this semester, the title is quite ordinary. The first time I saw it, I didn't feel much. I went through it carefully from beginning to end at home during the holiday, and the hidden taste gradually emerged. The film seems bland, but it is long and interesting. It combines the eastern food culture and family ethics, and well expresses the theme of "diet men and women", which is ordinary, trivial and real. Among the family of four, only Lao Zhu speaks with a Beijing accent, and his three daughters are all Taiwanese, symbolizing that Lao Zhu represents the traditional side, interferes with the career choice of the second daughter, Jia Qian, and tries his best to maintain the university through "Sunday Dinner". The harmony and integrity of the family. But at the end of the plot reversal, we know that Lao Zhu has always had his own plans and is not completely conservative (you can also see from his insistence on retiring before). Many people expressed their incomprehension of Lao Zhu and Jinrong being together, and I was no exception. But when I watched it for the second time, I found that there was a foreshadowing at the beginning: "Oh! It's a pity that the fish is braised in stew. It's better to steam it... I won't talk about it today, when will I talk about it?" There was a young woman on the other end of the phone. Voice, but Lao Zhu's three daughters obviously didn't match the number, and then Shanshan said "Mom fried the fish", and after taking care of each other, it can be roughly inferred that this person should be Jin Rong. Also ingenious is the "love past" of the eldest sister Jiazhen nine years ago. One of the other parties, Li Kai, happened to be the new colleague of the second sister Jiaqian (and almost got together), and what is even more bizarre is that all this is actually wishful thinking! These episodes aren't exactly dramatic, and it's entirely possible that this could happen in reality. Going around in circles, life is so coincidental and tricky. I have to say that the director is a very good storyteller. He will not put all the ingredients in the pot at the beginning, but will slowly put some of them into the casserole, and simmer slowly over low heat without making any noise. , at the same time, put some other simmering water, frying, frying, and cutting into small pieces for later use. When the taste of the ingredients in the casserole grows, mix them all together to make their own taste. Mutual penetration, intricate, well-organized, and finally served together, won everyone's praise. Okay, so good. The film randomly draws a picture of all beings. The contradiction between father and daughter, the contradiction between sisters, the contradiction between emotion and morality are all exposed. Among them, I especially want to mention the contradiction between parents and children, especially father and daughter. I have quite a feeling that that layer of separation has grown thicker with age and gender awareness. But why didn't he try to reverse this predicament? It's really tough. At the end of the film, I watched Aunt Liang being beaten by everyone He was carried away with eight feet, Jiaqian was crying silently alone, Lao Zhu looked back at her before going out, the two sides looked at each other, those complicated eyes seemed to want to tell everything, but they didn't, after all, he was the father, she was Second daughter, nothing else. This scene makes my heart hurt especially. I don't want to learn to approach and understand my father when he is really old. Years, what can you do? Seeing the second half, the plot obviously progressed rapidly, and the eldest sister and the younger sister got married one after another. In the first half, the three women met their loved ones in a relatively concentrated time. This is dramatic, and it can better focus on the expression of love and life under different identities, backgrounds, and ages, thereby deepening the entanglement and generation gap between characters, and finally seeking new unity and stability in contradictions. As Lao Zhu said at the end: "Actually, the family lives under one roof, and they can still live their own lives, but the scruples that arise from their hearts are what makes a family home." There are different jobs, beliefs and even values, but the one thing that remains the same is "men's and women's diets, people's great desires", family, ethics, and instincts always bind them firmly together, which is where "scruples" lie, and also The film slowly tells us the truth in the long narrative. Watching this movie, we often feel that we are also included in all kinds of contradictions and human feelings in the world, just like the fallen leaves in the rolling red dust, lonely and wandering but always know the true meaning of the destination. Tell us slowly. Watching this movie, we often feel that we are also included in all kinds of contradictions and human feelings in the world, just like the fallen leaves in the rolling red dust, lonely and wandering but always know the true meaning of the destination. Tell us slowly. Watching this movie, we often feel that we are also included in all kinds of contradictions and human feelings in the world, just like the fallen leaves in the rolling red dust, lonely and wandering but always know the true meaning of the destination.
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