Thoughts on Modern Art "No Master's Work" and modern art emphasizes form (not content) and intuition... The key is - truth! Reality has prerequisites and opportunities. Reality is a profound feeling and understanding of the human world, and there must be spirituality to shine. In "Miracle in the Green Mile", I deeply realized the human nature of the world...! God is helpless! God is desolate! ! God can only use the cross to warn and inspire future generations to know the truth, approach the good, practice the good, and use the true wisdom. The truth is the greatest wisdom in the world! ! ! ) Mongolia and luck? Definitely Not! The truth is so holy, holy, beautiful, so wise... How can I get it? Luck does not favor the common man and the unprepared! ! ! ta can leave - the story and the characters...the truth itself is the story
(The following are the most vivid opinions among netizens, which inspired me, thank you!) ["The Work of No Master" makes modern art clear. Although "The Work of No Master" basically explains the logic of modern art clearly, it is still far-fetched. . How many modern arts can find the truth of the world by mistake based on intuition? Or that "absolute truth and beauty"? This is more like saying: modern art is just a mask. If you are lucky, you can mask the truth and beauty. If you are not lucky, you can only create garbage. It's hard for us to recognize such luck-based artistic creations. No wonder Richter, the original artist of the film, was so angry, he said that his art has a strict theoretical basis. From this point of view, Work Without a Master makes it clear about modern art, but it may also belittle it. But if you really understand modern art with movies, maybe no one will see it. Just like today's modern art works, it takes thousands of words to explain the expression of the work clearly, so what is the use of the work? Modern art, which emphasizes form rather than content, loses its practical significance while keeping away from the audience. Modern art and theoretical inquiry do have their academic value, and the influence is slowly infiltrating and far-reaching. But after so many years, the literature, paintings and films that have really survived are still inseparable from stories and characters. These are the arts that truly affect our spirit and life. From this point of view, the so-called "unowned work" is more like a self-entertainment.
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