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good movie
Hank 2022-04-22 07:01:55
At the end of the film, the protagonist shouted to me, which made me feel that the protagonist did not completely betray those people, but naively told the warden that he had the best of both worlds, as if he had told the escape plan and begged him to keep the prison. friend, but the warden seemed to have promised him on the surface that he would actually do it his own way and deceived him. Another scene also deepened my feeling. In the end, the protagonist was called to another room to continue his imprisonment. When he came out, he looked at the person who was caught next to him. That person only calmly said a poor XX, yes. It's not that he also thinks that the protagonist is betrayed by the warden. If he thinks that the protagonist betrays them on purpose, they should shout and yell, and the protagonist dares to look at him when he comes out. I should be ashamed to leave without looking at him.
Extended Reading
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Serenity 2022-03-24 09:03:47
I like it more, very European humanistic style. Prison break is more of a framework than the story itself, so it is used in such a "straightforward" way - smashing the wall and basically not having a climax. But the discussion of human nature brought out in this way should be more profound and convincing. The director only provides a possibility, but there are more possibilities for the choice itself~ This is human nature (09.8.16 AI Guide Shupa)
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Johann 2022-03-24 09:03:47
I like it more, very European humanistic style. Prison break is more of a framework than the story itself, so it is used in such a "straightforward" way - smashing the wall and basically not having a climax. But the discussion of human nature brought out in this way should be more profound and convincing. The director only provides a possibility, but there are more possibilities for the choice itself~ This is human nature (09.8.16 AI Guide Shupa)
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[first lines]
self: [wiping grease off hands] Hello. My friend Jacques Becker recreated a true story in all its detail. My story. It took place in 1947 at the Sante prison.
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[last lines]
Roland Darban: [stripped, facing the wall under guard] Poor Gaspard.