As soon as I heard Anna's lines, I wanted to cry, "Did I get too close to you and threatened you?" "I want to kidnap you from two books"... These lines are the deepest pain for every creator and people around them.
In the ward, the poet asks the delirious mother "why will we not love again".
The imagery in this film is very flavorful, such as the white in the wife and friends and relatives and the black isolated from the poet, the black in the wedding of the caregiver's son and the isolated white in the bride, the bouquet and the bus being accused of "should not be with Writers Together" girl association, indicating future endings and pessimism about art (there's also a live performance on the bus that only young and old listen to). The whole film is dominated by black and white, but the little boy and the yellow raincoat riding a bicycle are not much bright. The "corpse" is highlighted by the blurred net on the frontier, the poet buys words from the crowd in solitude, and the cremated "O Serin". He stalled at the green light and set off suddenly at the red light at dawn. No matter what age you are, you will be afraid of tomorrow and the distance. Although the ending looks tender, there is actually a pessimism looming over it, the man who hears his mother's call and never looks back.
"What's the time? A boy playing with sandbags by the beach."
"Give apples to rot, send roses to wither, send white grapes to crush, I send my tears."
"How long will tomorrow last?" "One more day than eternity."
View more about Eternity and a Day reviews
