Several places are very touching. First, the living conditions of the elderly, life is about to pass, and everything feels powerless. The second is juvenile delinquency. The juvenile murder on Guling Street was filmed from the perspective of teenagers. This one was filmed from the perspective of adults and parents. That kind of incomprehension makes teenagers bewildered, and adults are even more confused. Third, the living conditions of ordinary Koreans are far less glamorous than Korean dramas. The way the whole film is laid out slowly is very touching, and it is completely conquered by the end of the play. Not as direct and sharp as Li Cangdong's other films, the story from a third-party perspective makes viewers less excited.
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