I think we should face the lust thing head on. Instead of lighting a few red lanterns, a thunderstorm-style family can draw a picture of spring love with a hint of old dynasties. Whether the old man's love for young girls can be traced back to the remains of feudalism is still uncertain. If the old man and the young man wore traditional hanbok and bowed and saluted in the blue sea and blue sky, there would be some solemn and solemn scenes of the king's wedding. What is lust, the other side of the sea is a battle of Troy, and this side of the sea is "the businesswoman sings the backyard flower". Destruction and rebirth are both a female body that is loved by thousands of people. Regardless of the history, let's see that this old man has been scratched by a young girl's fragrant arm, and he will definitely die. That arrow piercing red was a good shot, otherwise the whole movie would have been dull. Not only does it satisfy the unattainable in reality, but it is also a metaphor for lust and violence: you groan and wriggle for me, but there is a young man who looks more suitable for you lying on top of you. I think this arrow is no longer just to achieve the ultimate desire of the old man, but also the arrow of Kaifeng that the heavy superstructure of the national will of some kind of state machine is ecstasy for the weak and dusty individuals. Every girl is no longer a girl before the first time in her life. She is a non-virgin whose virginity has been robbed of her virginity by some invisible will. Whether the question of "capture" here is still based on the general definition of women as weak females, the girl turned back on her own, obviously she had already left with the young man. The so-called brutality of the superstructure is not like a bow that is drawn and bent, only waiting for a sword to seal the throat. I haven't seen the old man supporting the girl for many years. Even if there is no hope of marriage, the grace is hard to break. Violence takes possession by giving.
The story takes place on a lonely boat far away from the hustle and bustle, and pushes the settings to the extreme as much as possible, and the writing and ink are generous. Have you ever seen someone swaying in front of a bullseye, poised and waiting for someone to shoot a fortune teller? "I aim at you, but don't shoot at you." The girl was a prey that shook her delicious flesh but could not be eaten immediately. Being fried by fire, but unable to put out the fire, he was eventually swallowed by the flames. I know the shooter will end up with the bullseye on himself, just like a policeman would kill himself with a police gun. It's a barely fleshy erotica that has a climax at the end. It is clearly the ultimate, but it is terribly empty. In Anzhe's West, there is a naked girl attached to the "beekeeper", and there is no real sex; in Jin Ki-de's East, the girl undulates her legs alone, and with an arrow, the red from the plain white skirt soaked. I want to be visible.
Hu Qi is far away from the small bridge and flowing water, and placed in the blue sky and blue sky, he has a gloomy and vast atmosphere. Although the intestines are full of knots, they can go far to the sky.
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