Japan and South Korea are inseparable. I'm talking about actors, I don't know if he is a man without opening his mouth.
The girls' voices are so rough.
War movies, without redemption, are hard to reach the top. A few days ago, "Fury", a group of war lunatics, the old man's "Saving Private Ryan" has a mood.
"Ming Liang" is to a large extent an interpretation of the national mood. The Korean people in the film are so united, and the people help General Li out of the predicament and unite against the enemy. Even if you lose here, you shouldn't have internal strife at the beginning. Even if you have internal strife, you must be in harmony with the outside world. General Li, why are you beheading your own people? If it is because of following the principles of the story and adding pressure to the protagonist, the audience's expectations should also be considered. Any intentional or unintentional hint will create certain expectations. If the viewing process cannot meet such expectations, even Self-contradictory, no wonder the audience is merciless.
Big people are really too face-to-face. Japan's Chanel army is so fragile.
A good story must be global, and this is Korean.
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