Mingliang sea battle, Ming Dynasty, I saw the episode of Anti-Japanese Aid Dynasty, I suddenly remembered that there was such a movie, so I took a look at it. The evaluation has to be said on two levels. On the one hand, if I don't talk about history, but only about the movie itself, I would give a 9 in a war movie, which is actually a full score, because the remaining 1 is because I'm not sure if I'm watching the abridged version, and if so , there are still about 20 minutes of content I haven't read, so I can't comment. War movies are not easy to make, and it is a naval battle with relatively monotonous strategies and tactics. This movie handles surprisingly well, whether it is rhythm, shots, and music. Based on this alone, watching it in theaters is already worth the ticket price. Although the content focuses on blood, there are also emotions such as father and son, husband and wife, military and civilians interspersed in it, especially the sentence "such a deep hatred, what should I do", which sublimates the theme of the film, and the thinking about human nature is the biggest war film. The success gene, so far, this film is perfect. But... after all, this is a film based on the events of real people, and naturally it cannot be divorced from history. So, on the other hand, in relation to history, this film is a little too YY. Is Yi Sun-sin great? Undoubtedly, he almost single-handedly reversed the Korean subjugation plot. He is not only powerful, he is an important figure who affects the historical process. Even so, in the final analysis, he is a human being, not a god, otherwise he would not have been inexplicable in the battle of Lulianghai. I was shot... The film's portrayal is obviously too exaggerated, and the protagonist's halo bonus is appalling, not only for everyone, but also for the board house boat, no matter how you hit it, it won't rot, no matter how you beat it. "Turtle Ship", if this is the case, you don't have to fight in the previous battle, just hit it and win. To put it bluntly, this film is good or not, good, this film is like a beauty who has undergone plastic surgery, there is no flaw, but it is deliberately artificial and full of form. Of course, any beauty is about form, which is understandable. The benevolent sees the benevolent and the wise sees the wisdom. I think the truth is more powerful. On this point, the Japanese and Japanese Kato Kiyomasa, Todo Takatora and others are quite realistic (manually funny). Finally, I have to envy other people's national heroes. A battle that was insignificant in the eyes of the late "Da Ming" could be "designed" so magnificently. When will our heroes be treated like this?
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