Went to watch "Golden Armor" against the wind and rain in the city.
Before, "Xinjing" and "Southern Capital" both chose to attack Zhang Yimou in the first place. Many of the great people I know also hold their own opinions. Basically, there are only a handful of good words, but my opinion is at odds with: " "Golden Armor" is very strong, fierce, and very enjoyable. The flaws in the film technology are not enough to constitute a tacit understanding of the media's cooperation.
The mainstream media seems to be increasingly inclined to chaos and contradictions. This kind of thing has been quite explicit during the period of "Ambush on Ten Sides", but this is not the focus of today's discussion.
2
Regardless of the media or individuals, they crusade or squabble with "Golden Armor", I can understand. After all, scolding Zhang Yimou has become an inertia, and even scolding all domestic movies has long been fashionable.
When I met Tan Fei yesterday, he also sneered at "Golden Armor". I asked, why did the media show such intriguing indifference to such a good film as "The Good Man in Three Gorges", while chattering about a "big bad film"? He said that the media is too realistic.
It's not the reality of the media, it's the reality of people.
3
Regarding the discussion on the technical aspects of the film, I don't think it matters. There are different opinions and it is completely legitimate, but those who talk about the breasts at every turn are actually not very decent. The kind of writing that caters to the tastes of the public is not improper, but not clever, like a clown juggling.
Don’t you just see "turbulent waves" throughout the story? I am very worried about your eyesight and intelligence.
4 The
story is not weak.
Everyone knows that this story is adapted from "Thunderstorm", and the huge risk of adapting a famous book is unknown to everyone in the film industry. "Golden Armor"'s "adaptation" of "Thunderstorm" is subversive. "The Banquet" is a difficult reconstruction and painful interpretation of the same step by step.
Ice is for water, but colder than water.
5
The entire chapter of "Golden A" talks about politics. This is not difficult for anyone who has a little experience of the profound changes in Chinese society in the last 20 years.
Talking about politics, even the hidden elements that Chinese films will never lack, they always admire art films. Of course, creators desire profound themes, political metaphors, and even hard to abandon. "Peacock", "Green Red"... and even the newly painted "Ink" Attack” is all so, but it can truly present the “political metaphor” nakedly, the “Golden Armor” is the most fierce and straightforward. It has no maneuvering, and it is never soft-after the blood has flowed into a river, it is immediately purged. , And then re-covered with flowers, covering the truth... The
lines are surprisingly straightforward:
"I rebelled, not to seize power, I am for the mother (no longer drink poison)."
This vivid and free is the reality of those people back then. Then the rebellion was suppressed, and the kingship ordered the "rebels" to make the final decision: either die, or abandon the oath, poison the mother, and survive. Many years ago, in front of the Forbidden City gate, many people chose to live in silence, or stay silent while living, because that would be more realistic.
But the second prince did not choose to betray, he died for that promise, it was an idealistic death.
6
That glass of wine is actually poisonous wine!
Wang, never intended to let her live on!
For many years, Chinese movies have been like this queen who was given a chronic poison. It's just that we can't find the king who committed the murder.
7
Zhou Yunfa's acting skills are superb. He vividly shows the complex relationship of a king with both hegemonic imperial power and strong fatherhood, which is sometimes contradictory and sometimes merged.
In the unabridged version of "Golden Armor", he clearly explained one of Wang's hidden illnesses. Isn't he always fumigating the dragon chair with Chinese medicine? That's because he knows that his reproductive ability is losing. In any case, he wants to keep a son, one of the strongest sons, but unfortunately it is this son who wants to rebel against him.
8
In the same year, "The Good Man in Three Gorges" and "Golden Armor" were born, which is a wonder of Chinese culture.
The 2006 Chinese film is a wonderful one. This is the perfect answer for a century of Chinese film.
9
In 2007, "The Sun Rises Again"...
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