Huang Feihong's series of films are nothing more than a series of large and small events with the main line of loyalty to the country. The funny paragraphs in the middle are one after another, and there are occasional serious scenes, which is often a turning point for the protagonist. Misfortune finally makes the protagonist begin to reflect and realize the spiritual breakthrough and martial arts refinement, and his understanding of Chinese wisdom and philosophy has been raised to a new level. But the success of this series and a large number of martial arts movies in Hong Kong lies in this big routine. The original design of the paragraph below has retained a large number of loyal fans. In the golden age of Hong Kong movies in the 80s and 90s, the spirit of entertainment supremacy has been thoroughly implemented, allowing the audience to be completely immersed in light and shadow In between, they laughed in various weird elves or weird stories, and then walked out of the movie theater with ease. Not to mention the artistic value of these commercial entertainment movies, they have won a large number of fans with their entertaining spirit and they are still The fact that they are regarded as classics is enough to dwarf many so-called commercial blockbusters. Moreover, these films often see the influence of traditional Chinese culture more or less behind the funny, perhaps the film does not want to express how much Deep themes, but this infiltration of traditional ideology, intentionally or unintentionally, seems natural and kind, just like a characteristic of traditional culture "secularity". In contrast, many films that pretend to be deep are now artificial. It's ridiculously clumsy.
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