As Polanski’s signature thriller, the strange tenant is honestly not terrifying. Of course, Polanski is not a director who likes to play pure horror. The honors of pure horror basically belong to Japan or Thailand. director. But it’s pretty nice to blame the tenants. Basically, except for the long shots, the other shots switch faster, which are close to modern movies. I’m afraid everyone has a feeling that the old movies of the 1960s and 1970s are very dull. The reason is In addition to the lack of special effects, the slow rate of the lens often switching every 15 to 20 seconds can be said to be the main reason. Therefore, I did not associate the strange tenant with Rosemary’s baby or Chinatown. Instead, I put the strange tenant and the black swan together. It looks strange at first glance, but I personally think Polanski and Aronov. Ski’s style is actually quite similar, especially the strange tenant and the black swan. At first glance, Natalie Portman and Polanski have driven themselves crazy. Think about it, there are some social reasons.
This is the psychological horror I have seen in the small structure film that is not inferior to the recent hot black swan, and compared to the black swan, it relies more on audio and fantasy pictures to create a sense of tension. The strange tenants appear more heavy, and many small passages show it. In the claustrophobic horror mind, Polanski has been driving Polanski crazy all the time peacefully, but in the end Polanski’s jumping off the building and the stage where the spectators on the other side played were very staged. When the tenant was chasing Polanski, the landlord was next to him. The tenant even stuck out his tongue like a snake spitting out a letter, and a small detail, Adjani, was also inside. PS: Polanski was still forty at the time, but she was still very young, while Ajani was so loli.
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