Regarding a search record

Gussie 2022-01-08 08:02:34

Such a film, I don't think it suits everyone's appetite. It is depressing, it is slow, it describes, it is not more important than the beginning, nor the end, it is not an exciting story with climaxes, but it is deeply rooted in the hearts of the people.

The whole film is in a cold-toned atmosphere, like the late wind and rain, heavy clouds are pressing on the dull ground, but there is no strong wind.
At the beginning, the night driving for an hour and a half shrouded the whole story in a confusing and confusing situation, with hidden bodies, wrong paths, prisoners, doctors, police officers, and prosecutors. But this is not a panic film or a detective solving a crime by catching bad guys by the police. As a result, a large area of ​​darkness, people under the faint spotlight, subtle expressions in the vicissitudes of the face, aggressive conversation, anxiety, exhaustion, silence, and the sounds in the surrounding air. Everyone has a distinct social personality, everyone is dissatisfied with the status quo, and everyone also tells their own secrets. Ceylon used such a large area of ​​lens to tell a story that was actually very short. He pushed everyone away from the observation level of the lens, shining boldly, under the light, those small and subtle

things. In a murder case, no one is a real villain, everyone has his own story, and everyone has their own difficulties.
Reality is like the heavy tones of the film from beginning to end. It is deep and cannot escape. Life brings everyone's hardship and spiritual trauma.

Three cars driving on the plateau in the dark, people from different positions, participated in the same identity to assist in the investigation. The viewer who entered directly at the beginning and inserted in the middle started without a reason, which made people feel at a loss. The complaints about life in the car and the trivial disputes
seemed to show the personalities of these people to the fullest from here. The police officers in the front row were impatient and aggressive, while the police officers in the back were arguing and were timid. It feels that such a portrayal takes people off guard. They were arguing and the night was long, so the camera turned to the person in the middle of the back row. He was sandwiched between two people. He was imposing and invisible, but he could detect his tightened brows and faint reflections. Highlight the movement of the white of the eye. The camera stopped, but the argument continued. The sound of breathing, the sound of wheels running on uneven ground, some people began to hum a little tune, whether to add a touch of color to this quiet night, or to encourage this not the beginning of the show Woolen cloth.

Ceylon does not seem to let it be dull here forever. Gradually, those small past events are revealed with the development of the plot. There is no sharpness, there are only whispers, those subtle feelings, no To be too expressive, and not eager to summarize, always stay there, the person memorizes carefully and makes complicated guesses.

In this way, the end of the story is finally gone. There is no definite result, and there is no need to know the whereabouts of the characters. It is the best ending to end with the child’s running and the doctor’s sight. All the fruits fall on the child. And they are the best future for this plateau.

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Extended Reading
  • Flavio 2022-03-27 09:01:13

    After re-blinking on the big screen, I felt that I was narrow-minded before, and Venus should have a five-star level when he connected his arm. When I think about the broken arm in "The Wild Pear Tree" being thrown into the water, I die of laughter. // It seems that the whole article is left blank, but in fact I see that my information is overloaded. After reviewing the previous details, one by one confirms that the things in mind are indeed very enjoyable, but is this precision the arm that Venus should have removed?

  • Dorothy 2022-03-19 09:01:06

    Rating: B+ [2011]-Cannes Film Festival Jury Award Ceylon is more restrained than his past works, giving up the urge to tell stories outwards, and the exploration of human nature inward. What he provides is only a fragment of life, and the fragment is exactly the whole of life we ​​can see.