Just after reading it, I have the same mood as Diego, what is behind! muerta de saberlo! What echoed in my mind was the melody of the Jiangnan Tannery boss running away, and he didn't even tell us what was behind the story!
The more I watch Alva's movies, the more I feel that the love in him will have a kind of loyalty and even obsession. There is tragedy in all love, just like the a little absurd Chica y maleta, the shadow in the shadow, it should also be a sad story. Waiting for him to go home, he made the cold soup he liked, cut the tomato and wept, and was pushed down the stairs by his ex-wife.
He spent so much to describe this movie, apart from the fact that this movie is the reason for the development of the story, the love between the two of them is like the crystallization of love, and there may be allusions. There are also many descriptions of the agent and Diego.
The more you look at Penelope, the more you feel that she is not beautiful, but the more you feel that she is beautiful. Impressed at a glance, goodbye is still the same, and after a closer look, it feels normal, and then immersed in it. She has a kind of nature, whether it is the role in "Return" or in other movies, there is no trace.
Finally, I discovered an interesting thing. In Ava’s movie, there is mostly a red car in it. It may be the protagonist of the tragedy, or it may be a non-main character, but it will always get in this car and come to a certain road. Towards the end.
The love story of a director and a female employee, a lover of a rich entrepreneurial lover, and the story of a film by the writer and his own agent, his son, the rich entrepreneur and his gay son, the son and the director, and the director. Broken hugs, failed to die in each other's arms. It is also mentioned in this "Return".
The judge's mother who knows who you are used to be very skinny and has good acting skills. Recently discovered that she is so ubiquitous, cow?
Woman on the verge of collapse
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