7/10 is not the singing and dancing of Indian movies in the conventional sense. As a musical inspirational movie song, it can also be said to be nice. The most important thing is that the local texture in this movie is very good. It does not deliberately hunt for novelty and does not cater to it cheaply. Instead, it integrates various problems in Indian society into the protagonist's struggle. Although old-fashioned, although some sections are a bit sloppy, they are not rigid and are very consistent with the underlying characteristics of hip-hop music. I really like the creation of the heroine. This character has a texture that belongs only to her. The female characters who dare to love and hate are not easy to handle. If they are handled too closely, they will turn into female lunatics. If they are not handled properly, they will look very creative. Although the protagonist has a limited number of scenes, the limited scenes are very brilliant, the shredded fox is not soft, and it is cute and exciting to face the male protagonist. The male protagonist is not the kind of common Gao Daquan, his flaws make this character plump, and his incompleteness also prevents their feelings from becoming a complete play in the inspirational squeeze. Of course, the ending is still the old-fashioned positive energy of Indian movies. The director has burdened the hero too much, and in the end he can only use his work to become famous and forcibly put an end to the previous contradictions and problems. This level of thinking about social problems can be said to be a cliff-like end. This is indeed the inability of the creators. For a complex society like India, which is encircled and suppressed by many forces, hip-hop can and can only be used by most young people. Temporary shelter and spiritual sustenance, if you want to rely on music to solve problems, the creator tells you this is a pipe dream.
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