At that time, I didn't look for it when it was released. Instead, I was at home these days and I scanned it carefully twice, which was quite interesting.
This movie is the most criticized, probably the first, it used a non-star actor: Chen Hu; second, the story structure is simple, and the characters are thin and thin; third, it is actually a martial arts movie that has fallen into a decline.
However, for me, it was exactly the opposite: first, I saw the brother on the screen; second, I was rarely able to observe various martial arts tricks, and the various styles of play were wonderful, and the rare thing was that they all fit the identity of this person. , Motivation and handling; third, I saw the teacher's words: Wucheng and Daofa are natural.
Many people criticized Tai Chi Push Hands and the last so-called Turtle Qigong. I think it is very natural. Last year I pushed hands with Teacher Z. Teacher Z did whatever he wanted. I staggered around. The control of strength and energy has always been absent, and it is rare. Before I got started, I definitely didn't believe it. Teacher C published a book "Kung Fu Getting Started" last year, which contained pictures of the students popping up at the moment when they pushed their hands.
If you can't go to the sky, it's hard to enter the stillness, you can't naturally understand this kind of flow of being out of nothing and returning to nothing. I personally like that clip. It is to cross-magnify the process of a son of Tai Chi walking towards the killer on the screen, so that I can better understand what the core of the movie is. Unfortunately, this section is weakened. And the long period after the decisive battle seemed to be procrastinated, and came to a peaceful but weak ending.
After scanning twice, I found a bug, that is, there is a picture in the spiritual sky view, which is black on top and white underneath. In the traditional picture, there is white on black and black on the bottom. I asked the brother why it was like this. He said there was nothing, accidentally. Hang up. . . . . .
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