If you want to use it as a horror movie, you can only rely on its visual impact, because the plot itself cannot withstand too much scrutiny, including the toughness of the baby killer in the film (seems to have self-repair and combat effectiveness skills) , The heroine's tenacity that never escapes (seems to have violent and automatic blood recovery skills), the low-energy behavior of the French police (low IQ and non-savage barbarians...), and even a police officer behind it resembles Resident Evil The image of zombies, I have to say, the French make horror films too tmd. In the heated discussion of several of our roommates, it was agreed that this film cannot be analyzed from the perspective of evaluating the plot, but can only be evaluated by the artistic level.
The film implies the clue of the riots in the suburbs of France, which secretly reflects the turbulence of French society and people's thinking. Therefore, it is easier to understand the behavior of the female killer on this basis. The child was lost in a car accident. After the heroine lost her husband, when the female killer was talking to her, the heroine had already had a baby in her belly. Complex attitude, even fear. This paved the way for the female killer to seize the infant.
It has always been strange that several times in the film involving the police, they devalued the image of the police. First, the riots in the suburbs of France, and then the police came. After comforting them, they hurriedly left. No further investigation was done on the photos taken by the heroine (or The heroine decided to let the editor-in-chief to enhance the photo). Later, the three patrolmen were chopped off directly, and they didn’t even call for reinforcements..., the switch was turned on for a long time, but at the end, the zombie policeman turned it on. The gangster was unexpectedly unplugged by the plug department. It was quite nb. In the second half of the film, the heroine and the killer also revealed that she had been told that there was no survivor other than her in the car accident. In my opinion, the director May have a bad impression of the French police! ! !
In the end, film art is not artistic. I think for me, when some of its expressions (such as bloody rendering) are too strong and overshadow the soul of the work that the film has to convey through the plot, details, and actors’ acting skills, it will lose it. Most of the artistic value can be said. It can only be said that the atmosphere and expression methods are not as mature as Japanese films, and the rigorous plot and rich imagination are not as mature as American films. It seems that French horror films are a bit deviated on the road to catching up with Japan and surpassing the United States. The channel of art sailed directly to the disgusting bay.
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