All the climax and ups and downs in the film originate from Dev's going and returning from home, coming and leaving. In fact, I was most afraid of meeting at the beginning of the overlapping peaks, Qiong hugged Yuyu, soul flew away, standing high and looking far also fell miserably. People always think that love is justified for no reason. The tsunami and pine waves are not worth the trivial noise. I don't know that there is a certain number of previous appointments, and countless people have practiced the spring festival and the full moon is missing one side. The sky is unpredictable, no matter how fragrant and beautiful at the beginning of the game, it is inseparable from sentient beings, the turmoil of the world, the impermanence of common things, and the uncertainties.
The extravagant beauty is extremely empty, and Jincuo Township was originally a desolate mound. In "The Collection of All Goods", it says impermanence, "Impermanence is rapid, thoughts migrate, stone fire and wind lanterns, afterglows of passing waves, and Revival films. It is not enough for metaphors." Everything is like a continuous stream of water rolling forward, and some logically enter the sea. Some of them ascended to the sky halfway through, and some of them didn't know which dirty river or stubborn mountain spring they had dripped into.
A floating favor
Dev's story is a very simple story. It has a regular context. It can be roughly guessed from the beginning and the next. It is not uncommon to see where it is, which generation and which country. The childhood sweethearts Paro and Dev were born in two neighboring families. They were forced to separate when they were young. Dev went to study in the UK. Ten years later, Dev returned home and met Paro, who still missed him day and night. Soon it naturally rose to the sweet romance of adulthood. Everything is about to become clear, but the relationship between the two people is not happy for Dev's family. They humiliated Paro's mother and her family in front of everyone by saying that their parents humiliated Paro's mother and her family, and the two broke openly. Faced with all kinds of pressure and inner uncertainty, the bewildered Dev was unable to respond to Paro's feelings immediately and firmly. He walked away in anger, and when he was confused, he wrote Paro a desperate letter denying everything. Seven days later, Dev came back and appeared in front of Paro, who had come to realize that she was sincere, but she was already wearing the wedding gown and was waiting to welcome her. Everything about him and her will be settled at this moment. She said that he is her body, she is his soul, they are each other's love and their emptiness. From then on, Dev, who had hesitated once, had to accept punishment for his whole life. He lost his liveliest soul, and he could only walk corpses to welcome the final death and sleep with debauchery and alcoholism. Paro, who can't ignore her family's dignity and promises, can't elope and use the guarding lamp to be with her first love. She abandons her most colorful body, and can only follow the rules and pay attention to freedom in exchange for the expensive vanity that was exchanged with marriage.
Everyone said that they were dismantled by the so-called "stern family opinion", and they were married and fleeing in the end, and none of their consecutive appearances in A, B, C, D and D ended up satisfactorily. In fact, the family gap is just a way for people with ghosts to find a guise and justify their words. Paro and Dev’s family are both landlords and wealthy. Since they can be neighbors, they have always had a good relationship, no matter how different their status is, it is definitely not the gap between Zhumen and Zhumen, at most it is the difference between the golden gate and the diamond gate. . What's more, at the beginning of the plot, Dev's shrewd mother was happily sighing with Paro's mother who was sincerely exposed. When the son returned, she looked back and talked about the touching friendship between the two children. It was later that she turned her face. It's okay to be with each other, but not to marry, to be friends, but there is no way to be in-laws.
Where is the trick, it’s actually not hard to find. When Master Dev came home, everyone lined up to welcome him at the call of his domineering lady who had a fetishism. The only thing I didn’t see was the old man eating bamboo sticks for him. Strict father of fried meat. Dev’s mother hurriedly smiled and comforted her son, explaining that his father was busy with something more important and not to be delayed. Specifically, it was a very urgent and glorious event. He was knighted by the British royal family, which meant that their family had already Begin to abandon the status of the influential landlord class, and cross the threshold to the more noble Indian colonial upper class society. But the son who had just returned home was indifferent to this. Dev was expecting the family’s warmth to surpass the decent shell. He only commented indifferently, "The day I left, he was not at home, the day I came back." , He is still not here." In a simple sentence, there is an inadvertent bitterness, expressing the helplessness and unwillingness of the long-term estrangement between father and son and the baby who was left out by his father.
Therefore, in fact, the Dev family was embarrassed by the means to prevent the marriage of the two families, but it was to find someone who was on the table to combine the various fillings hidden in the exquisite dessert of "The Difference between the Doors". After all, the situation is so delicate, in-law cannot be too bad. Moving out with an unshakable law that was in line with social morality, at least the upper-class social morality, it was extremely powerful and defeated the innocent in an instant, although it also hit the instigator themselves in the end. The Dev family is still looking forward to the prospects and believes that their family still has unlimited room for improvement. How can they easily stop so that they will be dragged down by the Paro family, a small landlord who only has a daughter and has little prospects for future development. The eldest son was also married to the landlord’s family in the past. Daughter, now in the stage of rising status, how about the youngest son who wants to go further. What's more, Paro’s father was a serious landlord, but Paro’s mother was only a performer in the past. When they gave face to their neighbourhoods, they called them the landlord’s wife. When they didn’t give face, they said that they were the most humble performers. A landlord family is also a landlord family that has been stained. Usually it depends on the mood, and it’s okay to be a neighbor, but when it comes to two marriages, the taint will be transferred to oneself, which is not conducive to future development. No matter how you play, the calculation is not cost-effective.
However, the most important thing is not this. People with different motives just want to use this to manipulate it, and they have their own real abacus in their hearts. Dev’s lonely and capable mother is out of jealousy and resentment. The first person to see from her son who has been looking forward to returning home for ten years is not the one who had been pregnant with hard work in October. She is already extremely dissatisfied with Paro. There is a kind of treasure in hand. Once I was robbed of resentment, and then I saw the two children get close day by day, and the son who finally returned was always focused on the other woman. Originally because of the indifferent nature of the husband, he placed all his love on the younger son. Seeing that he stepped into the air, he wanted to monopolize his son's greatest love, so he was determined to drive away the person who would take Dev's heart away. Dev provokes the divorced sister-in-law who wants to control the family's money and power alone. Originally, the uncle was abroad, and the family can enjoy the benefits of himself and her husband. They are about to have children. They have always had the greatest rights and enjoyed the most honors. Suddenly her mother-in-law, Father-in-law and grandmother are particularly favorite young uncles who have gone home. Although they have not yet been married and assigned to the family property, they have reserved the best treasures and jewelry for him and his future daughter-in-law. It is even more necessary to fan the flames and create dissatisfaction, so as to suppress the enemy invisibly. Although the uncle Dev is more reckless and not shrewd, Paro, whom his neighbor sees every day, is definitely a good hand at hiding needles in the cotton. She guessed that if the wise Paro entered the door, she might not win the fight in the future. (Here you can know from the fact that you usually play cards together, and Paro's card skills are generally recognized.) If you want to get more money once and for all, you can't let Paro get married. Women know women best. She is very familiar with the subtle and exclusive psychology of her mother-in-law towards her younger son. So, several side-strikes to instigate her dissatisfaction with Paro. The sparks gradually turned into flames, and finally became a raging fire that could start a prairie fire. Dev’s unkind father does not appear much, but he is strict and rigid in his discipline. With sticks and bamboo sticks instead of words, the relationship between father and son is extremely alienated. It is estimated that the reason is to isolate the bad influence from the surroundings and corrode his son. He studied Mengmu ten years ago. Sanqian packed up the young Dev and threw it to the UK. He didn't like Paro, and the mother of the dancing girl who hated her defiled the family. Of all the first to obstruct, he was the most serious and caring one. The principle of keeping the family is always the same as my big stick of mandarin ducks.
Poor Paro and Dev are still immersed in how to smooth the gap of ten years of separation as quickly as possible. The innocence of the children ten years ago has not disappeared. The people who meet again are now familiar and unfamiliar. The most passionate thing together is to meet and quarrel and expose each other. They once shared The tacit understanding is still there, it's just that each other's heart is as thick as honey or thick as syrup, and we have to slowly and uneasyly determine. It's just that happiness is so sudden, and it makes me suddenly unsafe melancholy. Paro's cunning and wanton will only show up in front of Dev, and at any other time she will only be a perfect lady who is stable and dignified. Dev's bad temper and poisonous tongue can only be suppressed by Paro's playfulness and smart intelligence. In fact, they are not perfect in terms of personality separately. Paro is very persistent, but she also has the arrogance and arrogance that her preset bottom line cannot be challenged. Dev is very smart but he is prone to lose lasting interest and persistence. Just being together, they are combined. It's a perfect perfection. Paro's determination made up for Dev's hesitation. Her mellowness and meticulousness can help the straight-hearted Dev smooth the gap in interpersonal communication; Dev's roughness often pierces Paro's pride, and his existence is tailored for Paro's wick. The most stubborn lamp made. In this way, he is her body, she is his soul, body and soul are like mind and wisdom, light and heat cannot be separated. Paro knew this when he was a child, but Dev didn't understand it until he was separated again.
The hurricane started in Pingmo. All kinds of prejudices and tricks have complicated people's feelings and disturbed the simple situation. The humiliator first creates anger, and the humiliated person is unwilling to show weakness and wants to expand the anger, with a blank eye to a cold eye, and a tooth for a front tooth. If a person humiliates me, he will have to pay it back. After being insulted in public, Paro’s kind mother flew into a rage, and now she has just demonstrated her sturdiness and fierceness from the market. First, she clearly counts the right and wrong, and then screams and breaks swiftly, making a bloody oath in public,- ----"I swear that my daughter will marry a family richer than you. Within a week. If you break the oath, you will come to me on the eighth day." In fact, the Dev mother is also It’s too much. If you don’t think that others are worthy of you, set out your cart, explain it in private, spread out the form, and talk about it, but you have to use the worst method and the most vicious strategy to deceive first. After the humiliation, and in front of everyone, the humiliation of the family becomes the humiliation of the family. It is important to know that the slap on the face of someone else's face will return to his face sooner or later as the wind turns.
Dev's personality weaknesses are also exposed at this time. He is dissatisfied with manipulation and knows that he can't resist. When Paro was scolded by his father at night, he was slapped naively and decided to leave without thinking. First, he used evasion to ignore the threats of his parents and Paro's call, and then hurriedly wrote to judge the emotion that was not fully recognized. Chandramukh realized his true intentions suddenly rushed back. This impulse did not change at all, and finally he put the impulse into alcohol and destroyed himself. The people who thwarted Dev and Paro contentedly, but weren't content to get what they wanted. The mother who wanted to keep her son completely lost her son, the sister-in-law who wanted to seize the wealth did not get the wealth, and the father who wanted a decent reputation did not wait until the slutty son who had completely ruined his family came back to say goodbye until his death. Paro, who possesses beauty and virtue, has gained supreme wealth and status, but she has lost the emotion and freedom she originally possessed. The mother who wants her daughter to be happy has lifted the family's shame with a more powerful marriage, but never again has the opportunity to see her daughter's sweet smile. Paro thinks that being separated from DEV is the biggest tragedy, but this is just the beginning of the road to DEV's death. DEV finally got her wish to end her pain, and losing Paro, who believed in the flame of the lamp, her greatest pain had just begun. Between cause and effect, fate is the silk, and the grass snakes on the line, and the gray stretches thousands of miles. The simple connotation of the story is not simple, and impermanence is the greatest foreshadowing of fate.
Busy and busy, everyone around you is gesticulating smartly and powerfully saying that it should be like this, but neither of you nor them has picked the fruit that you want most. Jump out of an impermanence, and fall into another larger impermanence wheel. When it is thought that the greatest tragedy has already occurred, there are even greater tragedies waiting ahead. Destiny sighed once in a thousand and one times, blindly, always destroying the person who was standing by him first, and finally drove straight to destroy the self who destroyed his own.
The two poetic language,
even the moon you embraced in your arms, is always changing, then, the sky, my love, where are we going to catch those eternal unstoppable flames. The Buddha said that when you are hoping to get it, you are already beginning to lose.
Paro's love is a very lively love. There are flowers and months into the heart, beautiful and thrilling, there is a spring breeze, and the love is full of love, and there are laborers and geese who are divided into the forest. It uses an ultra-beautiful way to tell a fiery story even more beautifully, but it does not make people feel tired of being full. It's really just right. When you wear beads and embellish flowers, you wear beads, and when you cry, you light wax. When it comes to painstaking effort, it will make you vomit blood. It seems that pushing the beauty to the extreme and then severely destroying it is the biggest purpose it upholds.
The dome is extremely wide, the gorgeous floor patterns are great joy, the stained glass is eye-catching, and the colorful geometric figures are cut out by each other. The beauty of the stage has already been one after another, and the remote and lively soundtrack has accelerated the flow of emotions. The smooth and witty poetic dialogue is the icing on the cake, and it sublimates the ash marks of chai rice tea that should have been oil, salt, vinegar and vinegar.
India is a country of poetry, and Indians are born poets. Their utensils are even dressed and decorated, extremely gorgeous, singing and dancing, sacrificial customs, splendid admiration, and full of the romantic flow of poetry, so what they blurt out, and dance away from them, are all poems. "Her concentration is in the sky, but where are her eyes? Her kiss is in the air, but where are her lips?" There is nothing more suitable for the murderous beauty than Tagore's phrase. , But he hid a jumping white dove Paro in his heart. After losing what he loved, Dev, who was self-destructed to death, obviously fits this sentence, "If there is only pain in love, why should love? How foolish it is, you ask her heart only to have your own The heart is dedicated to her".
What's even more rare is that the clichés and known plots are always run through in vivid and special details, and the beauty and sharpness of the language are used to thin the characters into a more three-dimensional and vivid. For example, Dev, who just got off the carriage and returned home from Rongjin, came to see Paro. Paro, who was mad because he complained that he had only written five letters to himself in ten years, hid away to prevent Dev from seeing her face, so light. Sari concealed her face and lay down on the bed, half-truth and half-truth, "It's like looking at the moon after many years, I'm afraid I will take your breath in an instant", just a statement that seems too arrogant, a contradiction and anxiety. His movements fully expressed Paro's subtle intentions. Even if she is so infatuated, she also has her own unshakable reserve and pride. It is the humble love that is persistent and does not care about rewards, and it is also the noble love that is arrogant and confident with a touch of temptation. The excited Dev was aroused by her arrogance, and arrogantly replied, "The moon will not be so arrogant." They answered each other, "That's because of the scars on the moon's face." "When the moon reaches the middle of the sky, I will see what will take my breath away. Is it the moon's brilliance or your vanity." "This kind of tit-for-tat beginning, not only has the taste of rejoicing in enemies, but also early indicates their respective lack of character. Once they encounter strong external interference, arrogance and impulsiveness, it is very likely to cause regret and mistakes.
There is no lack of these vernacular and poetic language in the movie, with lyrics, proverbs, and verses, philosophical, and sentimental. Some are lingering, some are mean to the bones, some are powerful, some are subtle and euphemistic, and some are witty and witty.
For example, when Devin ridiculed Paro's mother, she blurted out in public, "Yes, our landlord eats fish, but we won't let the bones choke in our throats." Paro's mother also struck sharply, "The coin is good or bad. Just listen to the sound. You know, but you won't know, because you are so deaf that you can't hear your son's heart, your eyes are too blind to see what your son loves, and soon you will be stunned to see your son's destruction." After the break, Paro was asked, "Can you ask Dev to marry you? Wouldn't that embarrass you?" Paro said calmly, "What's so embarrassing to ask for what you deserve." We met in the night. At that time, the brave Paro said, “Where there is love, there is no fear.” Dev, who wanted to shrink, said, “Where there is smoke, there is fire.” In love with Dev, who had lost his soul, Chandramukh still said, “Love, I’ve sold it many times, but I’ve loved it, only once."
These words that make the plot more vivid, they are quite Zen, and also indicate the impermanence of fate. From Dev’s mouth, from Paro’s mouth, from their parents’ and parents’ mouths, from Dev’s drinkers’ mouths, from the prostitute Chandramukh’s mouths, cause and fate, fruit and rewards, among the thousands of flying flowers that were not in the altar to preach the law, Wandering in every moment of fate and luck.
This Indian taste immersed in spices and auspicious moles, the pattern gradually painted red like a scorching sun, like a moonlight meditation, dew drops patter, not only the texture of the whole story, but also the life of the characters , You only saw three hours, but you can think of three years, thirty years, three hundred years, and three thousand years from now on.
The three-time dance music in
Devdas is gorgeous. If two-tenths of two-three-tenths come from the colorful backgrounds, and one-two-tenths are from the poetic beauty, then three-tenths and fours come from the dance music flow. Bo, the final finishing touch and the most important point, of course, comes from the beauty of living up to the gods and the world. Mei Se currently kills both men and women, and all beings retreat, and it is never false.
It not only refers to the bright and beautiful appearance of male and female characters, but also the sky and night dyeing of various plants, flowers, birds, props, clothing, food, and architecture. There are also palace corridors that are magnificent or clear or remote or fragrant or cool. Desolate, watery or clear or swaying or swaying or stars moving or dying to life, light or magnificent or sobbing or sweet or dazzling sparkling gold or gasping. The single beauty, or it can make people feel vain, even if the beauty is in the sky, it will still fall into the soil, and the beauty that overwhelms the sky is overwhelming. You can only admire, dizzy, and be beautiful and confident. It is hard to pick the wrong place. .
From the light-burning dance that Paro kept for Dev for ten years, to Dev’s surprise at Paro under the moon, to the golden bracelets of the swimming pool, to the ambiguity of the two people drinking water by the night spring, to the end The scars at the wedding and the farewell between Paro and Dev, each scene is amazing and completely suitable. Its magic is to use dance to visualize the five senses and five colors. Naturally, it is the hand, the mouth, the ear, and the eye. As long as you raise your eyebrows, look forward to, and lower your hands, you can speak a thousand words, making you dazzled with breath and breath. . Songs, smiles, sighs and sighs dissolve in the beautiful scenery, the gestures are in line with the rhythm of the waves, the group dances and solo dances are all born and natural, with local materials, subtle and vivid. The heart's direction, hands and feet follow.
Counting them down, there are eight dances with different styles. There are two heroines, Dev's first love, Xiao Qingmei Paro, and Dev's confidante Chandramukh. The first four paragraphs are mainly the battlefield where Paro shows its elegance, and the last four paragraphs are inseparable from Chandramukh's affectionate performance. However, due to the second paragraph of Paro's solo dance, it is very short and almost negligible, and the seventh paragraph is Paro and Chandramukh. They danced with the brilliant brilliance, and they were given a very fair share.
The first paragraph, the Lantern Dance with Paro as the main part, mainly tells Paro's infatuation and loyalty to Dev. Although there are many dancers, the dazzling one is always the center holding the lantern. Whether it is the appearance of the beautiful seaweed long-haired beauty that came out in the beginning, or the slender shadow dancing in the middle of the curtain of wind and rain, it is beautiful. The always amazing end is that you look dumbfounded, but think, forget it, probably there is no more surprising gimmick, who knows that in the last scene, Paro holds the spice tray and lifts the lamp to quickly rotate and freeze, and countless red powders are like rain and mist. In an instant, the colorful skirt flew slowly like a lily, beautiful banshee-like snake hair snaked, and the flames of light rendered the rich red into magnificent gold. It became more and more red, but I knew that after it was amazing, it could be more amazing.
In the second paragraph, Paro thought he was going to see Dev. After hiding in the room, he used a white scarf to avoid the dance of flies. It was simple and beautiful, fleeting and sweaty. It was the most beautiful action to catch flies in history.
In the third paragraph, Dev and Paro are in love with a pair of bracelets under the moon. They are affectionate but lively and interesting, just to put the gold bracelet he got from grandma on the wrist of his sweetheart. Dev is anxious and confident, showing his bad temper. Paro wanted to welcome but refused, wicked eyes deliberately teasing, even if they didn't understand the lyrics and dialogue, the two flirt and curse and communicate vividly and smoothly, which can be understood by just looking at the actions. The last frame is fixed in the two stares sitting on the flower swing under the moon. In the night, the water waves are blurred and deep, the soundtrack flickers and revolves, the scenery is shocking, and then I pull back to Dev's wife and his sister-in-law holding a binoculars to peek there. Contemptuous and angry face. The contrast is so sharp, the editing is exquisite, and easy to understand, it is easy to give birth to a sigh that the best flowers are not always blooming.
The fourth paragraph is a seamless montage-style editing of two dances. One is the marrying-daughter dance that Paro’s mother is gleeful and hopeful to dance in public under the bewitching of Dev’s mother, and the other is a two-person dance between Paro and Dev, which is also under the moon, beside a river by a mountain spring. The gurgling, quiet, secluded and full of temptation and ambiguous, such as fantasy and poetry. On the one hand, everyone harbors ghosts, waiting for the ridiculous boulder to fall at the climax, and on the other hand is the tenderness of the children, full of countless beautiful hopes for the future. On the one hand, he is deliberately trying to break the lantern, and on the other, he is looking forward to the infinite, yet I don’t know that the curtain is about to come. Watching Paro's mother struggling to dance, she made a big bet just for the happiness of her loving daughter. The joy of having a daughter in my family and the bitterness of other housewives after marriage, expressing the complex maternal love with emotion and reluctance to the fullest. I thought that dancers must dance beautifully, their figure must be slim and their limbs must be flexible. This dance changed my view. It turns out that there is a magic power that can be infected as long as it is a heart-felt dance. Paro mom belongs to a typical Indian aunt. There is no waistline to speak of plumpness, but she dances with a strong aura, and the long runs and joyful swings will lift the uncontrollable joy to the apex, not just protruding the thin waist. Just coquettish. As a dance of blessing to the beloved daughter, that joy is expressed in bold movements. On the other side, Paro is like a moonlight fairy in an oil painting with a pitcher on his head, holding a wind lamp. In the forest, the blue saree is clearer than the silver moonlight than the flowing spring water, and the dance moves are more convergent than the last time. But this kind of convergence, on the contrary, can express the trembling and uncontrollable emotions of the mind better than violent body language. At this moment, Paro's eyes were very brilliant, expectant and restless, happy and timid.
Another characteristic of this duet dance is that it is very ambiguous. When the ambiguity is reached, you will feel even a little erotic, but it is by no means an undisguised flirtation. They don't even touch their lips, but there is nothing in the body. Perhaps because of the national style of India, there are not many naked kisses in their films, let alone a more restrictive expression of affection. Because of this, they have perfected the sharpness and softness of their eyes and limbs. Thousands of ambiguities and temptations, you have not seen it truly and clearly, but you must feel it truly and clearly.
The fifth paragraph is the dance of Chandramukh's appearance. As a famous prostitute, her dance is different from the dance of Paro, which emphasizes the atmosphere in various natural atmospheres. If Paro’s dance is without carvings of clear water hibiscus, it is full of emotions, like flowers and trees, snow, moon and breeze, then Chandramukh’s dance at this time is in the luxurious and magnificent style, mysterious and temptation, everywhere It is an escalation of flattery and flattery, gorgeous but not vulgar, charming and attractive. Actress Madhuri Dixit, who plays Chandramukh, is not as perfect as Aishwarya Rai who plays Paro at first. Her palm-sized face is not very gorgeous, but her look is charming and her eyes are hot, full and flexible. The most wonderful thing about this dance lies in her eyes that are constantly changing as she sings and dances. The golden light is blurred, the lights and candles are shining brightly, the brightest thing is not all of this, but the pair of eyes that can really speak. Unlike Paro’s dances, which often flow out different joys, angers, sorrows, and sorrows by means of changing situations and scenes, Chandramukh’s stage is mostly a fixed place that does not change. In the background of group dances, she generally cannot be in raindrops, springs, etc. In the atmosphere of flowers and leaves, incense powder ignited expressions, and at this time, it really only relied on the beautiful posture and the eyes. Aishwarya Rai also played an erotic prostitute in Umrao jaan. When dancing in public, she also used her eyes to speak. After seeing it, she had to say that although it is also a beautiful dance, her eyes are more streamlined. The brilliant Chandramukh, a bit sluggish and not deep and sharp enough, seemed to speak but couldn't speak happily. This may also be due to the fact that Aishwarya Rai's eyes are beautiful and big enough, but the disadvantage is that when the big eyes express affection, they are not as shocking as the small eyes. Although the eyes of Madhuri Dixit's deity are not small, compared with Aishwarya Rai's big eyes, which take up one-third of the face, he still has to bow down. It can be seen that the ancients said that one inch is long and one inch is awkward, and one inch is short and one inch is dangerous. The same is true for the battlefield of the eyes, the big ones are beautiful but not godless, and the small ones are not bright enough but ecstatic. I checked Madhuri Dixit's information and found out that her dance was both rigid and soft, and she really won with the right combination of her eyes.
In the sixth paragraph, the scene is still in the brothel hall where the fifth stage dances, but the mood of the dancer is absolutely different. At this time Chandramukh has fallen in love with Dev. She insisted on dancing for Dev's arrival. For this reason, she refused the malicious beggar, and even bet with her anklet. Her eyes are still flowing and full this time. The biggest difference from last time lies in the subtle changes lurking in the surging waves. It turns out that love and not love are really very different. The last song is still deliberately charming, although it is absolutely enthusiastic but unintentional, it is just a perfunctory component that you are used to, and you can see it at a glance. It’s different here. The bead curtains are shining, Chandramukh’s eyes are like burning flames, with a heart and more affection. He no longer always wears a masked smile, but instead expresses joy, pain, anxiety, and confusion in his mood. Emptiness, cunning, anticipation. The most clever thing is that she drove away the dance moves of Qiuhuanke who had lost the gambling, and the choreography was vivid and smooth. She never thought that it suggested that people "roll quickly", and she could dance back so arrogantly and beautifully.
The seventh segment is the most brilliant dance in the whole play, and its main color is golden golden in different shades. The two heroines danced together, and there were many accompanying dancers. Because it was a dance dedicated to the gods, it was solemn and sacred, and joyous as the sea. And because it is also the blessing dance that Paro and Chandramukh personally want to dance for Dev. This dance blends the two women's mutual appreciation and deep affection for Dev. Paro knows that there is no longer a chance for the two to continue, but he still has trouble with Dev. He wants to entrust him to Chandramuh in the dance. Chandramukh knows Dev's intentions and shows Paro that she is irreplaceable in Dev's heart. The rhythm of this dance is cheerful and intensive. The two dancers are matched perfectly in one go. Before singing, some of the movements are magnificent and natural. It feels like a work of idols painted on the stone walls and temple eaves. Close, beautiful and unspeakable. The first half is a pious and clear sacrifice to the gods, and the second half is a gentle and deep song of blessing and love. Although the movements are the same, it can be seen that Paro and Chandrkamuh are different in dance postures, and the interpretations and flavors are different.
The eighth segment begins with Dev and his friends' wine-puzzling dance, and Chandramukh does not appear until the second half. Only when you see this can you understand that wine glasses and bottles can also be magically used in dancing, and the dance of the drunkard can also be very lively and funny. From robbing Dev with friends to Chandramukh who happened to join him, she was to stop Dev who had become addicted to alcohol. This is the real dance, casual and casual, without fixed movements and postures, it seems to just rhythmize the details of life. Whatever the actor's demeanor should be, confused, crazy, joyful, or angry and embarrassed, all smooth and harmonious, every movement does not seem to be dancing, but it is indeed dancing, and it is simple and straightforward to say it is a dance. Must get rid of the traces of carving.
The choreography of the dance in this film has always been owed to the ingenious penetration of water, and the other is to rely on the diversity of light. "Living in Varanasi (Hindu holy city), bathing and drinking in the Ganges River, making friends with saints, and venerating Lord Shiva" have always been recognized as the four great joys of life by devout Hindus. The second is the most. They both regard the Ganges as their mother and believe that it can wash away the sins of the world. As we said, water is the source of life in all things.
Devdas, as a classic subject that has been reproduced countless times in the history of Indian cinema, will of course not be missing the religious imagery of water, which is embellished from beginning to end. From the first stage of Paro's light dance, it turned into rain that God will not test and explore Paro's heart, and it fell from the sky just to extinguish the flame of love in the heart of Dev's lamp in Paro's hand. When they reached the third stage of their love under the moon, the gleaming pool water was gentle and bright, like a faithful mirror recording their greed, hatred and love. They swept across the water gently, quietly and tolerantly, and the water at this time was for storage. The secret bag of love. In the fourth interstitial dance, before Paro's mother dances, the quiet fountain in the courtyard splashes, as if the emotional spark is ignited at the touch of a touch, which not only highlights the joyful atmosphere but also symbolizes it. And Paro and Dev's duet dance is by the stream spring, the forest is silent and dark night, like a fairyland and like a trap. At this time, the water flowing is the aftermath of the water, and it is also the water where the two people's emotions flow slowly and blend. Before the fifth dance, when Chandramukh made her debut, Dev saw her in a white saree winding her long hair and applying perfume to her body in the mirror. Their eye waves converge, just like the essence of water in this room, the fragrance is blurred, alluring and fragrant, revealing. In the seventh paragraph, one second before the blessing and dancing bells of the two heroines rang happily, the camera was aimed at Dev, who was slowly sinking in the long river. The infinite pain in his heart turned into an external surging river, directing with one hand and with the other. The performance is drowning myself slowly. In the eighth stage of the dance, alcohol was simply used as a dance prop. Dev and his friends drank and gambled, drunk and dreamed of drunkenness, robbed Chandramukh, and was ultimately destroyed by the alcohol. It is also the essence of water. At this time, it is no longer a spirit that gently soothes the senses, but a weapon that kills people.
The unforeseen torrential rain falling from the sky can only be attached to the water of the pond, the magnificent fountain that can only be enjoyed by the high gate compound, the rare forest and the clear stream, the enchanting and enchanting fragrance of the dark night, and the eternal life that is endlessly devouring life. Changhe, as well as the intestinal piercing spirit that the doctor said, "Drinking another drop is a deadly poison." The life of water is so simple and so complicated in the film. The flowers grow in all appearances, and they are invariably changeable. The torrential rain that witnessed Paro's persistence in love has changed a little bit by fate, and finally turned into a wine sickle that harvests Dev's life. Water is not guilty, but human beings are guilty.
Water can be picked up everywhere here, and light is splashing everywhere in the film. They believe that the ancestors of human beings came from Guangyintian, but fell into this world afterwards. "The Guangyin Tianzhong is pure and immeasurable, the mouth is clear, the body is more than eight years old, the most victorious, eats with joy, lives in peace, nature is bright, has light, and can walk in the sky." Concentration is used to give out light, and light is used to replace sound. That is to say, we can communicate without language at all. By virtue of the commonality of light, we can understand each other's hearts in an instant, which is wonderful and wonderful. This shows the Indian fascination and love for light.
All kinds of brilliant and luxurious oil paints in Devdas, beautiful dresses, palaces and temples, Senxi Jingquan, are all beautiful, but they only owe the shocking aura. Therefore, in the finishing touch of the light, the long candlelight gleams, the jewels on the gallery wall are envied, the gold ornaments are swaying and the shadows are swaying, the stars are shining and the bead curtain is gorgeous, and it has become a bright light that can only appear in a dream. territory. If you are interested in this film, then you must look for an extremely clear version. The effect of online video is much worse. The texture of the light and shadow flowing is rough, which causes the hue to be blurred, and the impact is not strong enough.
The light is in the thunderous rumbling of the film's opening, in the beacon that has penetrated the whole play since Paro came out, in the moon as the set of the head, in the light of the overflowing stream, and dancing bells on the arms and feet. In the reflection, in Chandramukh’s smiling eyes when he jumped up, in Dev’s ruined arson light and shadow, in the flash of the glass wall of the pool of carnival, and even the touch of his death when he finally came. The freshman dawns.
Paro is water, Chandramukh is light. To lose water is to lose life. Light can release darkness, recall lost travelers, and serve as a resting place for return, but light cannot save lives. He needs water before he can live, and then he needs light to live well. Even if Dev is lucky enough to encounter light at the end, he has to run towards the water in his life. This is the fate of the three people.
Four self-destructive tendencies
"The public didn't cross the river, the public crossed the river! How can you die after crossing the river!" Don't rush to cross the river, why do you have to fight to cross the river? You know that crossing the river is death. Even if they know that they will die, they still have to rush to die. No one can understand why they are so crazy, even if the rapids are in front of them, they have to go crazy. Why should it be such an exaggeration, the next world will be nothing more than a spectacle. It's good for everyone to perfuse each other, why must it simply turn into a flame? The impulse to die, the wild horse is as violent and incompetent as it is out of the border, knowing that the struggle is invalid, but also perseveringly stepping on the trap of destiny, is a violent behavior of all races, skin colors, and sexes for thousands of years.
Dev wants to use alcohol to destroy himself, do you think he doesn't know his final ending? No, he knew that alcohol would quickly wring him out and crush him to ashes, but he still wanted to be madly drunk. Unsure that the act of indulgence will lead them to the tragic destruction, and perhaps there is still a rescue. The extreme person who knows that he is digging his own grave but will not stop killing, the extreme pleasure of begging for death, has long been doomed. They are drowning in self-destructive tremors, they want to die but not survive, and they dismiss the so-called "normal", trying to freeze the strong-minded madness. What is reason? What's the reason? There is nothing more joyful than crying in a long song and shouting wantonly. Anyway, if you live, you will suffer even in bits and pieces. It's better to kill with a blunt knife. If you die, you will die. Just click the knot, just to send it happily. Therefore, La Traviata would vomit blood while drinking, Lin Daiyu would survive the catastrophe, Qu Yuan would be buried in a fish belly, Carlton in The Tale of Two Cities would replace Charlie on the gallows, Ping Dunsheng would rather return to Kumagai Naoshito. Willing to be greedy for life. Without the support of the crutches skeleton, instead of the flowers blooming slowly on the street, it is better to die quickly with bones and whale teeth.
The first time I saw Devdas, I was dazzled by its gorgeous galloping elegance, and I didn't even have the intention to understand the inner ease of leisure. It’s not until the second time to enjoy yourself from the all-encompassing and obsessive facial features, and notice the deep aftertaste that surprises you, but this fashion has to despise Dev’s frivolousness and cowardice, dislike his love for vain, and stab his heart. Can't be fully familiar with the peerless depression of the pure gold and jade here. You know, its solemnity lies in its imperfect texture. Since the world's perfection does not exist, especially the overall perfection, the perfection will not bring damage, then how can you blame Dev's vain and involuntary under the fiddle of the smoke and dust? The third time, it is the real "who embellishes the clouds and the moon, the sky and the sea clarify". Everything is stable and hard to trust. The mirage is the kaleidoscope that I want to entertain you. Only when it turns into fragments can it hurt your bones, not just use anger to move your heart. All people are perpetrators and victims. Who can be more innocent than anyone else? In the case of the Tathagata, in the signs of the turbid and disordered world, the power is infinite, and he is ready to express it. It should be a more surging and clear compassion.
All those who fight, unfortunately, because the battlefield is really a prison, must have mercy. If you really have a little bit of investigation, remember not to easily use any influence power in your hands to arbitrarily use thousands of flying flowers on your side.
Dev's loss of his beloved love is not only due to lack of personality, but not entirely due to temperament. It is his death that is largely due to his own sin. These are not without traces. From a psychological analysis, he is actually a patient with an affective disorder that is terminally ill. Even though his appearance and identity are impeccable, the personality defect caused by his mood disorder has made him unable to be like a normal person. Under the impact of various external forces, I control my emotions, and his emotional performance suddenly rises and falls, and is capricious, which is obvious to all. From the film, he was sometimes irritable, impulsive and energetic, sometimes desperate and empty, crying, laughing, crazy and indulging in alcoholism. I think he should be suffering from manic depression.
The formation of a stable personality is crucial to the family. The father should be the roof, and the mother is the wall, so it is a strong home. A person who grows up under a family where the roof is always leaking and the walls are always swaying will find it difficult to overcome the defects created by the growing environment. Dev's father was severely estranged, and his experience of growing up abroad since he was a child made him lose his psychological protection from the roof prematurely. It can be said that Dev's house does not have a roof. His mother was too protective of her loving son. The walls were pressed tightly on all sides, she forgot to chisel the door and had no windows. The scenery outside cannot come in, and the people inside cannot get out. One is not enough, the other is too much, too much is not enough, double destruction, it is difficult for him to form a stable and solid personality. In fact, he has long been a person without a home, and he has never got a perfect home in the true sense. So, at the beginning, he came back from England and appeared in front of Paro. The gentleman in black who opened the door had a cold expression like a cold rock that never melted. Where is it like a long-lost lover who has been enthusiastically summoned, but it is more like a resentful returning avenger.
Compared to the Dev's old house, which seems towering but desolate, Paro's house is much stronger and lovely. The father is kind and restrained, the mother is enthusiastic and capable, and the enlightened and mellow cornerstone makes Paro like a free horse that can simply run in tolerance and heartily. So in Paro's house, the love that Paro has upheld since childhood can be known to everyone. It is not a secret to be concealed. It is worthy of respect and pity. In the Dev's family with complex and snobbish relationships, it was just a game of children's rise and shame from ignorance, and they thought it was not worth mentioning. This is where Paro is luckier than Dev. Leaving aside the natural tenacity in female roles, she has a stable personality because of family love. Even if fate makes her lose her lover, she still has a father and mother who love her. She still has faith and attachment, so she can live, and she also has a firm foundation stone to protect her from instability. This is what people say, a person who was happy when he was young, even if he encounters a great setback when he grows up, it is just a setback. Because the previous warmth has given them enough anti-strike ability, and the foundation is stable enough, they can face all the miserable winds and rains that follow. On the contrary, it is someone who has never experienced contentment before. If they are left alone when they are young, and when they grow up, everything is not going well, the fear from no place to stand, the old wounds have not gone to the new ones, they are likely to germinate and choose to commit suicide. . Dev is like that. Originally in his lonely and autistic years, his father was harsh and indifferent and almost non-existent, and his mother was stubborn and eager to control but not caring. He could only look up at the sky, and Paro was the only one who could hold in his heart across the wall without doors and windows. Flower, the only resurrection moonlight, is also the only implicit belief. Taking her away is the last straw that crushes the camel. The beauty of career cannot cure emotional coldness. His long-term latent depressive symptoms in his psychology, with this opportunity surging in, broke out in an all-round way. Therefore, his pain is not all pretending to be unreliable, not cherishing it when he has it, and regretting it after losing it. Rather, he had to hesitate so much before he knew that some existence was important in order to see the trajectory of his life; he had to hesitate so much before he discovered that she could live without him, the one who could not live without the other party. The poor worm is himself.
I went to find the information and found that manic depression is centered on mania or depression. It is also called cyclic psychosis. It usually recurs, relieves itself, and has no residual symptoms. It can be manic every time, or every time. Depression all the time, and there are also irregular alternating episodes of mania and depression. Dev's symptoms obviously became severe in the later stage, he became overly excited, indulged in enjoyment and stimulating and disruptive behaviors, when he became depressed, his interest dropped sharply, and his restlessness and anxiety fell into a sense of guilt. In the first half of the film, in fact, most of the time, Dev has a depressed feeling in his body. Even in the face of Paro's jokes, he has poor endurance, anxious and irritable, and occasionally makes rough movements, such as changing his face due to a kind trick, throwing a plate without hesitation, and smashing Paro's forehead with a card. But this fashion and not to the degree of morbidity, the modality is still within the range of normal people's elasticity, at most I can only say one thing, this person really has a bad temper. In the second half, he lost Paro and broke with his parents. He irrationally used arbitrarily to retaliate and deteriorate the surrounding environment, self-defeating and abandoning himself, his aggressiveness began to increase, and his self-destructive tendency became more and more serious, including threatening his sister-in-law to ask for the key not to occupy During the family property, he set fire to the study, drank unscrupulously like torture, and often talked to himself endlessly and eloquently. The attitude towards Chandramukh, who has always been caring for him, is also complicated and changeable, and always speaks badly. His father died and his mother was sad. He also regarded it as if he didn't have the slightest guilt anymore.
SHAHRUKH KHAN has a good grasp of the contradictory and pathological role of Dev. His arrogant impulse in the early stage and the desperate struggle in the later stage can all be summed up with the rapidly changing willful eyes. In the first half of the paragraph, the thing I remember most was that when he wounded Paro, who was about to be married, with a pearl necklace, he wounded her with blood on her forehead. The cold, blatant, innocent and blank gaze was like a little girl who was about to lose his favorite thing. Children, knowing that they can't keep it, have to leave their own traces willfully. In the second half of Chandramukh’s room, they were talking about each other’s feelings. He tried to wake Chandramukh who was still looking back, so he asked her, “Chandramukh, what happens if you continue to pour wine into a full glass?” “It will overflow. On the ground" "My cup is filled with Paro, and it trickles out, not a small overflow, but a waterfall. During the fall, you were also pulled down." Chandramukh calmly and insisted, "Even if It’s overflowing, and the wine has been gently soothed by... the cup..." The expression of SHAHRUKH KHAN is very good. Dev’s eyes and expressions are empty, as if overlooking a miserable god, he is helpless and helpless to himself and others. The compassion was so weak that he couldn't see it. He poured out the wine in the glass, turned his head and looked at her, muttering "Then... overflow more...", and fell.
After Paro left Dev, Chandramukh was the highlight of the second half. Compared with Paro, who has received thousands of favors and only owes the favor of Dev's family, her identity is lower and more steadfast in defense and bravery. If Paro is a white lotus with clear water on a moonlit night, fertile in the snow water, crystal clear and clean, then Chandramukh is a dark night enchanting red lotus, slender in the mud, graceful and beautiful looking forward to flowing. They both have comparable beauty and connotations, and they also share the sorrow of tossing and turning. I thought it was Dev's luck to meet Chandramukh, but it was Chandramukh's misfortune. Until the last Dev, who was dying, finally said, "Although it is taboo, I always like to use eyes as a metaphor. One eye is Paro and the other is Chandramukh. Paro is sentimental, intelligent and lively. As for you, you are, careful. Human, graceful and dignified... Everyone loves her, no one loves you,...except me." Chandramukh cried, unlike someone who wants to be happy for a lifetime, what she has never wanted is just a moment. She got it, so she has no regrets. Maybe this is true love, maybe this is compassionate love, but what is the difference? The enthusiasm caused by liking, and the enthusiasm caused by compassion, are just different in starting point, there is no difference in texture, both are the softness of tempered steel.
Dev gave Paro two gold bracelets symbolizing his wife. Paro gave one to Chandramukh and kept the other one. This self-destructive man is still lucky. He was not married in name, but in fact had two persistent wives. He finally ran to death, like a river of birth, to the place of the most nostalgic person, and died quietly, like a lonely life. Because of this death, thinking of the colors arranged in the film, most of them are thick red, gold, white, and black, rushing like fog, with fate and collapsed sharpness.
The
story of the poem of the five impermanence begins with a gong and cymbal, and the Sanskrit singing is quiet and deep. As the waves have dived deep into the night, let you be cramped. It's not like the human grievances that want to talk about love and hatred, but it's clearly like the bow of the red gorilla felt cloak in the snowy area of Baoyu, with various gestures, just to end. It foreshadows that fate will not tolerate trance, and the deadly reward paid to mankind is often to take away everything you want and throw away everything you don't want.
The gorgeous and deep title is very special and profound, with splashing red dust as the background color, music and painting are circulating the true meaning of "like a dream bubble, like a fog like electricity"-the world is nothing but nothing. In the midst of the thousands of Qing Jue, there will be a more quiet and mellow and rich harmony, but the drums are extremely solid, pulling down the insignificance that is going to float in the sky, turning back and forth, for such a vast gaze, full of scarlet changes , The color is subtle, the short ripples are long and swaying, and the looming Buddha statues are clustered around the generated beings. The light is bright and the other is extinguished. In the end, all the unyielding splendor, chanting, light talisman, ribbon, and comfort all died in the roaring thunder of the awakening world. No compassion can be seen, just as meticulous compassion is everywhere. The light of the sky, the gentle wind and the drizzle, rushes into the void and produces the cold, and the thunder is violent.
This curtain of various hues was originally opened to be extremely beautiful and unclear, with a strange and uneasy beauty. Freed from the obsession of just two children and walked on the path of compassion for all beings, but it can't comfort you to lie down and have a good dream, it will only send you to retain the subtle horror. Beauty is usually unpredictable. It uses simple and inconvenient brushwork, only black and red, and it outlines thousands of colorful and prosperous images, just like on the right cheek of the Buddha, with a huge pen as a rafter, accompanied by the destiny of all beings on gravel, and a pious painting. Giant lotus.
Just seeing this, I know the awkwardness of positioning it as a romantic movie. It is not only the extraordinary singing and dancing, but not only the chanting of love, but also the dazzling poem kiss, and even it is not just a long-rolled song of impermanence and harmony of karma. What you have in your heart, you can see from it. If you have nothing in your mind or your mind is filled with too many things, then of course you can see it effortlessly or there is no dust. Such squandering of gorgeous light is like sending the pleasing body and soul to the peak of enjoyment, so as to facilitate the reign of trampling. It is too shining bright ice, inserted into the wound like a knife, stirred the fragrance, and then collapsed in an instant, with a silent and breathless refusal, there is no doubt, how do you judge that the noise and water waves were once sharp peaks.
Indians are the ones who understand the most beautiful and hurt the most. If you want to control despair, you must first worship the glory. They are well versed in the philosophy that fear drives exploration and death leads to balance. Without reaching the extreme beauty and purity, you can't win the clear and stretched shame. The 35-year-old Gautama Siddhartha was exploring the way of liberation in this fashion. When he sat under the quiet Pybala tree, he meditated and finally realized the four truths after seven days and nights. He became the first enlightened person in the world. Since leaving home at the age of 29, letting go of all his attachments. In the six years, in order to see the "self" that no one mentions apart from thousands of knowledge, he left the prince’s self, destroyed the penance self, and wandered As a bridge of soul, I finally reached the true self without self.
I was very curious about his story, because I couldn't understand why a person who was originally blessed with everything, was willing to give up everything in an instant. And obviously there are countless people who have bravely failed to get anything, but are vying to be dissatisfied with the eternal hunger, trying to grasp more. Now I know that as the first person in history to have a perfect life, he is fearful, more fearful than anyone else. Because of God’s blessing, he has the most, most beautiful and best than all people combined, and he is also losing The heaviest, deepest and most painful. "Samoveda Upanishads" once wrote: "Your soul is the universe." A perfect destiny created his perfect temperament. Therefore, he will not just be obsessed with Tianzi like humans with various defects, he has the ability to perceive this kind of fear and danger. From the fear of oneself to the fear of others, from the fear of only oneself to the fear of all fears. In the end, it was precisely such a perfect fate that forced him to enlightenment. It is precisely the most stable sentiment that such a perfect destiny can create, which makes him realize his consciousness. Therefore, he is Gautama Siddhartha. We cannot be Gautama Siddhartha. Dev has seen the most beautiful, but also lost the most beautiful, but he just melted into a bubble and destroyed, but failed to follow Anning. The defect of his talent is destined to embark on the path of self-sacrifice, and the creation of this defect is not only inborn, but also the place where he was born.
If our greatest tragedy is often not deliberately created by fate, but people deliberately abuse their vanity, but unintentionally destroy themselves, then where do we ask for a peaceful fairness and willingness? "Diamond Sutra" says that destiny is an impermanent poem, because it is empty, so we should also be empty. "Learn to see clearly all things that are born by conditions, like stars, like the dilemma in your eyes, like an oil lamp, an illusion, like dewdrops, or like bubbles; like a dream, or like lightning, or like a cloud ." We must do everything we do and observe in the same way. Even if I know this truth, but how do I understand it. Even if I have begun to understand, how can I really let go. If everything hasn't started completely, just rush to let it go, is it the same as you don't really understand. If I have been teased and understood that I must let go, but I have lost the opportunity to start again, then where do I go to regain the opportunity to verify this understanding.
Picking lotus in the water will stir the waves, and then push the lotus farther away from you. Is this the eternal destiny and only true meaning of our existence in this world? Haven't gotten it yet, have begun to lose it. You can't really own it even if it's only once, because nothing is always conquering existence. If acquiescence that limited gain is a kind of refuge, then indulging in infinite indulgence is another true meaning of mortal practice? Live as cautiously as Paro, approach the morality of the gods with infinite patience, or die as hard as Dev, and worship the final enlightenment with all the infatuation.
Every day, every life is facing countless problems. People always say "Eat a ditch and gain a wisdom", and always say "If you make a lot of mistakes, you will know what to do to be right." That is another thing, and the wrong experience at that time doesn’t work at all, because there are always new and endless problems, and you can’t use that unique experience to deal with the difference this time. It is useless not to modify the trunk just because of the fact that more branches grow. Just like the same story, some people can only entertain their eyes, while others can entertain their hearts. How do you talk about the fierceness of the soul with a person who admires the eyes.
Every nation has its own love story about destruction. In China, it is Liang Zhu, in Britain it is Romeo and Juliet, in India it is Devdas, and Japan has spring snow. They are actually similar. Why Liang Shanbo is obviously a pedantic nerd who reads silly books, Romeo is just a naive and impulsive kid, Devdas is autistic and violent like a hurricane, and they are obviously not beautiful at all, but why are they involved in love, They began to shine. Let people not want to emulate them, but raise them to such a high position as if they respected martyrs. Because they are all pioneers who are completely destroyed by themselves and their destiny. Seeing them, it is easy to alert themselves. Don't live like that, and don't die like that. But it is often such a life and death, which makes people feel happy and inexplicable. If you don't get what you want, you will destroy yourself. It's also very jealous if you lose everything like this. Most people don't do this. They will choose to forget what they can't get and live a safe life. Even if they really can't, they will pretend to forget. As a result, these people melted into amber in a tragic posture, and those who went down safely became the floating gravel in the Ganges. In fact, maybe they didn't want to live so much because they lost love, but more importantly, because the first experience destroyed the total freedom, faith and sweetness they existed in the name of love. It turned out that they couldn't get more when they were born, and it was this huge disappointment that made them die impulsively. "I stepped on the thorns to realize that they are not flowers. I will never
mess around with love and never tease my heart." I want to be free, but I often realize that I can't really be free. Desire is like a cage full of birds. I have not yet got the best to see the most beautiful, so naturally I want to be greedy and attached. The right opportunity has not yet arrived, and the people crossing the river have no boats, so they have to watch the fire from across the bank. Moving forward or backward is the same result in different paths of vain, foolishness, greed, and desire. I also
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