(1)
From now on, when Lu meets someone with an extraordinary aura of "poems and books," he must dodge at full speed. There is no need for ideological struggle, and there is no room for questioning whoever asks.
In response to Johnny's passion for reading and thinking, I really wanted to borrow an iron fan from the princess and fan him across the Atlantic and Pacific into the "Sanwei Bookstore" of our country.
A patient with obsessive-compulsive disorder who has fallen completely. Is showing off a way to gain a sense of presence? Johnny told us: Of course it is. Showing off the knowledge you have mastered, showing off the flames in your mind, showing off the long-term anxiety caused by the loneliness of life, showing off the poetry of wandering... Why didn't you tell me that I was born because of my birth, so it is inevitable that I have to be in love? Johnny sticks to everyone and immediately spreads out a very self-filled "duck-filling" communication, is it annoying?
Fortunately, the movie portrayed two believers in Marx's phrase "science and technology are productivity": Johnny's ex-girlfriend who worked from Manchester to London, and the workers who posted posters on the streets at night. The former gave him a sense of disgust for the proletariat and at the same time the proletarian forgiveness, while the latter gave him a brutal proletarian beating.
(2)
Wang Yang's wanton sexual behavior is comparable to a hurricane in the wind, and the chaotic sand gradually becomes more attractive.
Naturally, there is no warm sex life in the film. The second child vents lust and hatred. Who is not surprised by men and women? Who doesn't cherish it? One point has caused me a little doubt: there must be resistance on the other side of sexual assault. This is a set of equal power contests. Since the sexual violence on the streets of Manchester, director Mike Leigh has been weakening the power of resistance. Why? ? This is not recognized by half of the women on the planet.
As an example of a woman: Johnny’s ex-girlfriend values the tenderness of love, but her gaffeful contempt for sex makes her look dull and weird; Sophie, who is empty and born with a kind of "strange beauty", easily evokes the desire of men to commit violence. I thought she would be the kind of woman who wanted Dracula to bite her neck to get pleasure, but her eyes were filled with tears of sadness for not getting love - safflower needs green leaves, what's wrong with these leaves ?
However, the director emphasized the symbol of "mother". When the drunk woman who danced near the window appeared hungry and thirsty, the unhealthy wind of Johnny suddenly became righteous. "I can't... You look like my mother... Do you think you can get your youth back by fucking me..." He said a few interesting words. I can barely see that Johnny's speculation and his second child have become the tip of the iceberg at the source of a joke.
(3)
I believe that Sid, the sloth in "Ice Age" inherited many of Johnny's characteristics. David Huris's powerful performance repeatedly urged me to confirm the blood relationship between Johnny and the sloth Sid.
What about the charming gray and blues? Sure enough to render the dying atmosphere.
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