The plot is remarkable, mainly with animals as the main line. If the director is interested, from a sensational point of view (especially the sensational kind of Korean movies), you can get a lot of good audience fame, such as loyalty dogs, guides The plot of the blind dog Little Q, and the nostalgic animal like the elephant can make the director make a fuss and earn a lot of tears from the audience. However, it is obvious that the director did not do this. Instead, Tony Jia’s kung fu became the main line. Such a highlight changed from the emotional stage to the action scene, except for the lesser kind of grief that Tony Jia showed in the end. It seems that there are no other emotional lines, and there are fewer sensational scenes. I don't know if it is good or bad.
The domineering queen style of Venus in the play is still quite energetic, and it is very good, and it feels in place. At first glance, it looks like the kind of person who can do whatever it takes for the upper ranks. The acting skills are for this kind of long-term showbiz character It shouldn't be difficult to say. It seems to be acting every day, but now it's just a specific role.
View more about The Protector reviews
