Girl's condolences

Bertha 2022-01-10 08:01:52

Many people feel that this movie is illogical, slow-paced, and has no theme. If you explain it this way, it might make sense: the whole movie describes the condolences of an ordinary girl to her brother in the months after the bereaved.

Imagine the reaction of ordinary people after losing their loved ones. This movie is actually very real. After we lose our loved ones, we often go to the place where he lived, imagine that he is still there, imagine that his soul will talk to us in various ways. So this film is not a ghost film, and those episodes of dealing with souls are also girls' wishful thinking. From the bottom of her heart, she hopes that the soul will still be in the world after death, and that she can talk to relatives before her death, but she is also very cautious. She wants a "dialogue" with her brother instead of simply trying to prove that after death. The soul is still not in the world. The faucet in her brother's house suddenly turned on inexplicably. She was not happy, but shouted angrily: Is it just this? Is this what you are going to say? I'm not here to watch you play these! (Probably so) It shows that she really missed her dead brother, not just wanting a "proof".

In this way, it is easy to understand why she would reply to harassing text messages and keep talking. She subconsciously regarded the person who sent the text message as her brother. This is also the beginning she will ask strangers "Are you dead or alive". Who would ask the person who sent the harassing text message this question? Of course there is a hint of luck. It is still what I just said, she wants to talk to her brother again. She would even go to the address indicated to her by strangers alone. Why does she turn on the airplane mode frequently and refuse to receive text messages? Because her reason told her that this person could not be her brother, and it became clear that this person might be the boss's lover, she finally changed her mobile phone number. She is mad and rational. She is a psychic, but she has always emphasized to others that she is not sure whether the soul will remain in the world after death, but she herself is waiting for the impossible possibility.

In fact, this movie is full of such contradictions. She says she is a psychic, but in reality she is engaged in the extreme material profession of luxury goods buyer. She usually wears the most inconspicuous T-shirt and sweater, dressing herself as a tomboy, and desperately eager to try on the boss's gorgeous clothes and enjoy her sexy, naked, feminine side.

If you think of this movie as a video of life, and the time span of the whole movie is not long, then it is terribly real. How much of our daily life is occupied by WeChat/SMS conversations? The girl’s typing in the movie, every text conversation, watching online videos, facetime with friends, walking, riding a motorcycle, all occupy a lot of space, just like our ordinary lives. And everything that happens in the film does not need to be pavement for the plot, they can be ordinary details in life, a girl’s unique mourning, no explanation, no logic, because it’s also right. It is these boring and ordinary details that constitute our life.

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Extended Reading
  • Estevan 2022-03-24 09:02:59

    No matter how you think about it, it feels thin. Just having a supernatural and lost concept, combined with a clue of constantly changing clothes to find a new identity, still cannot create an ambiguous and full image world. The clue of the mobile phone text message playing suspense is deceiving.

  • Neil 2022-03-28 09:01:08

    3.5, The fragile and restless life and loneliness of the individual are captured by the political economy of symbols, as well as the fashion symbol of "forbidden", and consumption = death. Assayas, a film critic, tries to give a clear, quasi-genre definition of "ghost image" in "Personal Buyer", and completes a "Darkroom Secret" companion, or a typical The Japanese-style ghost movie, in the second half of the film, the hotel corridor elevator, electronic doors and dialogue about ghosts lead the film to the Japanese style. From the text, techno-spiritualism is quite Kurosawa. Perhaps the ghost is not in the dark and gothic room, but the electronic sound of the city and the intermediary, the face space opened up in Morocco. But in the final analysis, "Private" is still an American movie. Stewart's American (Hollywood-style) English and the excessive handling of sound have cleared all the ghosts in the space at one stroke, and the over-substantiated ghosts can only be "invisible". The pua story of "people", which takes "seeing a ghost" as an event, lacks the "daily life of the presence of ghosts" in Japanese movies.

Personal Shopper quotes

  • Maureen Cartwright: [talking about her deceased brother] So we made this oath... Whoever died first would send the other a sign.

    Ingo: A sign? From- from the afterlife?

    Maureen Cartwright: You could call it that; you could call it a million things.

    Ingo: But... how do you know if it's a sign?

    Maureen Cartwright: I'm a medium. He was- he was a medium. I'll just know it.

    Ingo: Have you... communicated with spirits before?

    Maureen Cartwright: Um. Lewis thought they were... spirits. I'm- I'm less sure. But yes. Uh, somewhat.

    [gets off the couch to smoke]

    Maureen Cartwright: I mean there are invisible... presences... around us. Always. I mean whether or not they're the souls of the dead, I don't know, but... You know when you're a medium you just are attuned to some sort of... vibe.

    Ingo: What do you mean by- by vibe?

    Maureen Cartwright: It's an intuition thing; it's a feeling. You... You see this door... That's only like slightly, ajar.

    Ingo: Well... How's within that, that the soul... continues to exist... after death?

    Maureen Cartwright: I don't even know if I believe in that. But... Lewis did. And I- I have to give his... spirit -whatever you wanna call it- a chance to prove him right.

  • [last lines]

    Maureen Cartwright: Lewis, is it you?

    [pauses]

    Maureen Cartwright: Or is it just me?