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Destin 2022-01-09 08:02:16

The film is a show of British comedy. Compared with American film comedy, British comedy is elegantly off-line, and it is more stern and funny.

Black humorous comedies are often cartoon violence plus off-line casts, and the film is a good example. The script of the movie is a cliché carrier if it only looks at stories and lines, but the performance of the actors turns the movie into a black humorous comedy.

The film is a remake of a French film of the same name. The British and French have always ignored each other. It is strange that the British will remake French films. This British version has naturally become a British fan. Except for the house decoration design of the French immigration area where Uncle Bill lives, amateur French pronunciation practice and those original soundtracks, this film has been thoroughly Englishized. British cartoon violence makes killings as commonplace as sleeping with eyes closed, and actors often have inexplicable off-line expressions. This is much more humorous than Crian Murphy’s "Pire’s Generosity", and These humours are serious.

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Extended Reading
  • Elliot 2022-04-22 07:01:42

    Four stars for personal preference. Brilliant British comedy!! Martin may be popular because of the new Sherlock Holmes, but the role he portrays is completely different from Watson's, and he has a strong acting skill. Only in the hands of the British can such a big cliché plot bloom with such vitality, which makes people feel silly.

  • Wendy 2022-04-23 07:03:34

    This is another movie to keep and watch with my son. . .

Wild Target quotes

  • Ferguson: [wakes up in the hospital, still in traction] Morning!

    [No response from Mike, who is still in his coma]

    Ferguson: Dear God, Mike... you were dull before.

  • [hearing a disturbance, Victor emerges from his bedroom, gun in hand]

    Rose: This hideous old bat in a wheelchair just tried to kill me! She had a knife this big, I swear!

    Tony: It was horrible!

    Rose: It's true!

    [embarrassed, Victor goes to the door of Rose's bedroom]

    Victor Maynard: Mother... Mother, are you there? It's me. Mother?

    [hearing nothing, he kneels down to look through the keyhole]

    Victor Maynard: [to Rose and Tony] I've got everything under control...

    [a shotgun blasts a hole in the door over Victor's head. Rose screams]

    Victor Maynard: She means well. Mother, can we talk about this?

    Louisa Maynard: I'm *very* disappointed in you, Victor!