Watching "Farewell My Concubine" again, the different environment, the same moving. There are several major contradictions: Cheng Dieyi and Duan Xiaolou Dieyi have had a deep relationship with Xiaolou since they first entered the Peking Opera class. We can see many moving pictures: Xiaolou was punished, Kneeling in the yard in the dark night, Dieyi looked at him distressedly through the window, and when Xiaolou came back, she was naked, but gave Xiaolou the quilt. Wrapped. Then it must be hard for everyone to forget the scene where they cuddled and sleep, Dieyi hugged the small building tightly, as if afraid of losing him. Xiaolou also loved Dieyi deeply. He began to know Dieyi didn't want to learn Peking Opera. That time, he let Dieyi go, even though he was very reluctant. Later, I asked the boss to come and listen to Dieyi's always singing "I am a female Jiao'e", so I burned him with a pipe, so that Dieyi sang right for the first time. Undoubtedly, they all liked each other, but Xiaolou's affection for Dieyi was just like a good brother, and Dieyi's affection for Xiaolou was beyond family. Since he always played Tsing Yi in the play and sang in a female accent, he learned to be a female figure, over time, in society and roles, he was more inclined to women. For Xiaolou, he has always played a female role, such as helping Xiaolou lick his wounds and painting Xiaolou's facial makeup. His intimate actions all reflect his extraordinary feelings for Xiaolou. Especially after the emergence of Juxian, his jealousy towards Juxian and resentment towards Xiaolou have clearly realized the feminine characteristics of his social role. The deepest impression left by Cheng Dieyi and Xiao Xiaozi, Xiao Xiaozi, is nothing more than a single sentence: "I will be able to eat candied haws every day when I become an actor" and a scene "Finally, because of fear of being beaten by the master, he hangs himself. "He was prepared for suicide. He was scared because he watched the horrible scene of Die Yi being beaten, or perhaps because he felt that he would have to suffer a lot of painful beatings when he became a role? In short, he was prepared to commit suicide. Before he died, he hurriedly swallowed all the food he had eaten. This may be another choice for many people who study Peking opera but have no role. Dreams can't come true, you can only find them in the world of nothingness. But he left Dieyi's lifelong impression. After Dieyi became a corner, he was stunned when he heard the cry of candied haws before entering the stadium. At that time, what did he think of? The dream of a little scorpion? The death of the little scorpion? Perhaps shock and helplessness? Cheng Dieyi and Zhang Gonggong Zhang Gonggong defiled Dieyi. Becoming a horn is not necessarily just honor and joy. They may not know it yet, at first they just rushed forward desperately, but later when they reached the goal, they realized that the result might not be good, but they could only accept it and couldn't change it. Ironically, on the eve of the later founding of New China, the eunuch who used to call the wind and the rain to do whatever he wanted, Zhang The father-in-law, however, became a poor old man who bought cigarettes, and was already confused, and only knew the people who sold cigarettes. Has everything he ever done been forgotten in his chaos? But those who are hurt are the irreparable trauma of a lifetime. Between people in society, one thing may be insignificant to one person, and when it is decisive for another person. Cheng Dieyi and Juxian (mother) From the very beginning Dieyi was full of hostility and jealousy towards Juxian, because she took Xiaolou, the most important person in Dieyi's life. There may be a battle between them, and Dieyi is destined to be the loser. However, in the scenes of Dieyi and Juxian's eyes, he has a certain attachment to Dieyi, a kind of attachment to his mother. Especially when he was quitting drug addiction, Juxian held him and coaxed him to sleep more vividly. Dieyi was sent to the Beijing opera troupe by her mother since she was a child, and she didn't even see her mother's last glance, the empty door with no shadows. Therefore he is longing for maternal love. Moreover, Juxian and Dieyi's mother were both prostitutes, and gave him an illusion. Juxian has many characteristics of his mother, feminine, savage, and prostitute. Therefore, his feelings for Juxian are very contradictory, wandering in hostility and attachment. Cheng Dieyi and Yuan Siye may be his confidants in Beijing opera. When Dieyi lost Xiaolou the most painful time, he hallucinated Dieyi. He admires Dieyi very much, and he has also given Dieyi a lot of help in all aspects. But Xiaolou is full of hostility towards him, maybe because his special care for Dieyi also made Xiaolou jealous? But his fate surprised both Xiaolou and Dieyi. A celebrity who is well-versed in society will eventually encounter a society that cannot be free and easy. He died just like that, crushed to death by history. Cheng Dieyi and Xiaosi Dieyi picked up Xiaosi, and after the master's death, they adopted Xiaosi. He wanted to let the small four continue the development of Peking Opera. But when the time came, Xiao Si ruthlessly smashed Dieyi to hell. He seized the opportunity of Dieyi to take the stage, and he seized the role of Yu Ji. As for Dieyi, a person who regards Peking opera as life, even more important than life, if even the Peking opera is deprived, what else can he have? Cheng Dieyi and Peking Opera (Master) The master led the butterfly shirt into the world of Peking Opera. A stern, traditional, but fully understanding master of Peking Opera, he eventually fell down while singing Peking Opera and passed away. Undoubtedly, he had a great influence on Dieyi. Dieyi slowly went from only knowing its sound, its shape, to understanding its essence, and finally regarded it as life. He entered the country very much during his performances, and often reached a state of being one and the same with the characters in the play. The kind of dedicated performance, all external noise and annoyance Disturbance cannot be affected. Cheng Dieyi and the era (late Qing Dynasty, invasion of China, Republic of China, early days of New China, Cultural Revolution, after) In a turbulent era, people's thinking is also very flustered and uncertain. You can't even be sure of a country or a nation, and you can't be sure of anything else. People seem to be floating in the air without a foundation. People who are good at life may not be able to give birth (such as Yuan Siye), and those who know the common sense of life may not be able to give birth (such as Juxian). At the end of the Qing Dynasty, the people and actors were so passive as to be manipulated by the remnants of feudalism like a flag, unable to grasp their own destiny. The Japanese invaders are here, and the names of innocent people are not immune. Perhaps art can have no borders, but public opinion cannot accept it, and national sentiment cannot accept it. The Republic of China is still turbulent and will change at any time. In the brief early days of New China, Dieyi found it difficult to accept the transformation of the form of Peking opera. After all, it was not his impression of Peking opera. But he can't decide everything, because the wheel of time is constantly turning. He has been singing, no matter what period, perhaps, every period needs art. Art has no timeliness. However, Dieyi is always disturbed by the outside world from time to time. Politics, a boring but unavoidable thing, is full of pushpins on the road of art. The Cultural Revolution has come, has everything really been subverted? Revolutionize culture, criticize culture, and break all inherent culture. Perhaps if this is only done in academia, it is good to just criticize the line, but when the power is in the hands of immature, zealous people, it may change its flavor. Without culture, standards, and history, everyone can be what he wants to be, and in the end, there will be nothing. Cheng Dieyi and Dead Dieyi were really tired, having gone through so many glories and turmoil, gaining, losing, and gaining. In the end, he chose to end his life in the play. He couldn't hold himself all his life, he wandered fatefully all his life, and finally he became his own master in the matter of death. A perfect picture-Farewell My Concubine, can never be repeated. The king of Chu was left alone, and life may really be just a scene. Love, farewell, separation, resentment, hatred, and trance must have a bitter ending. Cheng Dieyi and Leslie Cheung are dead, Cheng Dieyi is dead, Leslie Cheung is dead. In and out of the play, true and false, but the result is the same. 2005.4.29
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