No master's work No master's work!

Letha 2022-01-15 08:03:05

1️⃣There is no need for any deliberateness, the whole movie is a statement of facts, and it is completely in line with the name! ! Masterless work: The copying of photos by postmodern artists, the copying of "layman" composition and captures of life, directly reflect the truth, deconstructing the narrative and deconstructive meaning of the painting, and it is no different from the straightforward narration of the whole movie. ? ! Without starting, inheriting, turning and digging deeply into things without these formal appearances, the truth itself is shocking, it is a masterless work! 2️⃣From the perspective of the artist, it describes the extreme differences in the development of art in Germany, East Germany and West Germany from World War II to the post-war period, and postmodern artists' search for themselves. Obviously alluding to the film: the beacon-like Boyce, Pollock, Yves Klein, Lucio Fontana, Malevich, a group of modernist painters, and Arthur Danto's final artistic conclusion. In short, it is the self-seeking of postmodern artists under the dual pressure of politics and art history... The final result is that whether it is Pop (Political Pop) or the return of German Neo-Expressionism to painting, they are still in society. It is hoped that the deconstruction of society will return to the real attempt of art. Whether or not Gerhardricht really doesn't matter. 3️⃣First of all, I really love the composition, color and light! Moreover, the strokes and steps of the male protagonist's paintings are indeed drawn by a person with deep drawing skills, rather than "performance". I am very touched by this alone. There are also various hidden allusions. For example, the last portrait of the father-in-law painted is Bacon’s Portrait of Pope Innocent X, with the same expressions, eyes and background atmosphere, and the characters are just as caustic and weak in disguise. It's really a very, very beautiful running account. Finally, I will emphasize: the masterless work! Deconstruction of all dazzling skills! Never look away from reality.

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Extended Reading
  • Libby 2022-03-27 09:01:18

    2.5 / Although I didn’t expect the director of “Eavesdropping Storm” to really break away from ideological barriers and touch the complexity of history from the beginning (just ask if the film really does what it preaches except for crudely marking the “evil” of history. Usually "Never Look Away"?), but in the end, even the basic narrative rhythm has gradually collapsed, and the main character clues have been broken, which is really surprising. The difference from Petzold's melodrama-level cloud and mud is comparable to that of "Long Time". Although there is a lack of more specific understanding of these artists, Boyce can still swear by visual inspection: jokes are not nonsense, adaptation is not random. : )

  • Jerad 2022-03-25 09:01:19

    tired. (Apart from those rubbish comedies,) German films are always doing serious war (front, middle, and back) subjects, but have lost the ability to deal with serious material. The eight o'clock file of ptsd contemporary art elements is still eight o'clock file. (But it starts with Lars

Never Look Away quotes

  • Professor Antonius van Verten: So, Lehmbruck. He said that each work of art must retain something from the first days of Creation. As if almost as if it were still divine... As if it were only just emerging from the primeval mass, from the rib... No. No, a different approach. Has anyone had an insight this week? A realization... you'd perhaps like to share?

    Kurt Barnert: Lottery numbers. If I tell you six numbers at random... 5, 7, 23, 29, 44, 11... that's just stupid. But if I read you the winning numbers from the lottery... May I?- "2, 17, 19, 25, 45, 48." Suddenly they have a true quality, something imperative, almost beautiful.

  • Günther Preusser: If he likes your art, you'll get a gallery. Then you can buy your girlfriend a car.

    Kurt Barnert: I'm married.

    Günther Preusser: Then you can buy your wife and your girlfriend a car.

    Kurt Barnert: I just don't know if what I'm doing is good enough.

    Günther Preusser: Somehow it isn't. But it's all subjective anyway. And if it weren't subjective, it'd be craft.