The director of "Eleven Arhats" and "The Hunger Games" of Soderbergh's new crime film, I actually paused N times, and it took four days to barely finish it. This is my experience of watching movies. This is indeed a long and protracted demonstration film with a lot of peeing points.
The film is a crime genre with many characters and complicated relationships. Under normal circumstances, it is a dark humorous rhythm of falling water dogs, big smoke guns, and big fights. The film is a Detroit background in the 1950s, with a strong retro style, and the actors are also very serious. However, the narrative is really cumbersome, the rhythm is long and procrastinated, the lines are boring, and the person watching is drowsy. For someone like me who loves movies, I can't watch it if I don't stop frequently in the bathroom. I can only express regret.
This kind of crime film actually has two ways to deal with it. If the crime story is very simple, it needs characters and dialogue to fill in the content, multi-headed narrative, and using editing methods to tell the story wonderfully and unusually. The typical representative is "Pulp Fiction", two The story of a black-and-white horse picking up a box of money, but the director told it wonderfully. In addition to the interesting lines, several emotional scenes between Xiaobai and the eldest brother's woman also added a lot to the film.
If the crime story is more complicated and involves the constant involvement of different characters and various forces, then you must first consider the story’s continual involvement. All cutscene characters that have nothing to do with the theme should be passers-by, so as not to pee too much. A typical representative is "Two Pole Smoke "Guns" and "Gentlemen".
This film tells a more complicated crime story, which should be handled in the latter way. For the clarity and smoothness of the story, at least half of the cutscene characters’ stories can be cut out. A mixture of black and white is used to promote the story’s in-depth development, leading to one Another passerby who serves the story, whether it is a gangster or a high-level car company, can be displayed on Facebook. For example, a company executive who was forced to steal drawings, the film used a lot of space to talk about his family, wife, children, and extramarital affairs. In fact, he is a passerby. The little gang leader who gave them the task at the beginning was also a passerby, but he gave them a lot of roles. These sporadic scenes seriously affected the rhythm and smoothness of the film.
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