Glass doors and windows) to build a montage within the lens. The section of the army's march is an important feature of "Hard Branches and Quiet", and it may also be the most expensive and most ostentatious group portrait in Roy Anderson's movie. Therefore, rather than saying that Roy Anderson wants the audience to enter the play, he wants the audience to play and always be in the audience watching position—just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] Create a montage within the lens. The section of the army's march is an important feature of "Hard Branches and Quiet", and it may also be the most expensive and most ostentatious group portrait in Roy Anderson's movie. Therefore, rather than saying that Roy Anderson wants the audience to enter the play, he wants the audience to play and always be in the audience watching position—just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] Create a montage within the lens. The section of the army's march is an important feature of "Hard Branches and Quiet", and it may also be the most expensive and most ostentatious group portrait in Roy Anderson's movie. Therefore, rather than saying that Roy Anderson wants the audience to enter the play, he wants the audience to play and always be in the audience watching position—just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's movies are by no means perfect, but they are not affected by the world's movie trends. It is also a great thing to achieve such a pace like a day for decades. [Published in "China News Weekly"] The part of Zheng Zheng is an important feature of "Hard Branches and Quiet", and it may also be the most expensive and most ostentatious group portrait in Roy Anderson's movie. Therefore, rather than saying that Roy Anderson wants the audience to enter the play, he wants the audience to play and always be in the audience watching position—just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's movies are by no means perfect, but they are not affected by the world's movie trends. It is also a great thing to achieve such a pace like a day for decades. [Published in "China News Weekly"] The part of Zheng Zheng is an important feature of "Hard Branches and Quiet", and it may also be the most expensive and most ostentatious group portrait in Roy Anderson's movie. Therefore, rather than saying that Roy Anderson wants the audience to enter the play, he wants the audience to play and always be in the audience watching position—just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of video style, "Hard Branches and Quiet" is still the main feature of the cold-tuned picture, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] · Anderson's film is the most expensive and most ostentatious group portrait. Therefore, rather than saying that Roy Anderson wants the audience to enter the play, he wants the audience to play and always be in the audience watching position—just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] · Anderson's film is the most expensive and most ostentatious group portrait. Therefore, rather than saying that Roy Anderson wants the audience to enter the play, he wants the audience to play and always be in the audience watching position—just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] He hopes that the audience will always be in the audience watching the show-just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of video style, "Hard Branches and Quiet" is still the main feature of the cold-tuned picture, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's movies are by no means perfect, but they are not affected by the world's movie trends. It is also a great thing to achieve such a pace like a day for decades. [Published in "China News Weekly"] He hopes that the audience will always be in the audience watching the show-just like actors in movies often dream or fall into bizarre and terrifying imaginations. Roy Anderson is also deeply influenced by the highly symbolic neo-objectivist paintings. The characters in "Hard Branches and Sparrow Quiet" seem to be on the stage of a drama, and in a movie, which is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] In the film's play, this is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's movies are by no means perfect, but they are not affected by the world's movie trends. It is also a great thing to achieve such a pace like a day for decades. [Published in "China News Weekly"] In the film's play, this is also a multiple metaphor for human existence. In movies, other time and space characters often break in (such as the battle of Charles XII), or they suddenly cut into a surreal dream, revealing sadness at any time, all of which the director does not say clearly, leaving the audience. The blank question mark is enough to induce them to reflect on the "meaning of existence" like a dove. In terms of image style, "Hard Branches and Quiet" is still the main feature of cold-tuned images, pure white rooms, empty corridors, streets with few heads... This is definitely not a Nordic paradise in reality, but Roy Anderson in his own company. Set up a photography studio. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] Desen built a photography studio in his own company. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's movies are by no means perfect, but they are not affected by the world's movie trends. It is also a great thing to achieve such a pace like a day for decades. [Published in "China News Weekly"] Desen built a photography studio in his own company. The actor with the white face is weird and lifeless. There is no expression on their faces and their eyes are dull. Their movements are two to three beats slower than normal people. They looked at the world in confusion, sluggishness, and even despair, creating a weird and cold humor, but also imaginative. However, just like a beam of light suddenly shot out in Bergman's movies, on this absurd big stage, Roy Anderson's movies often fly with cheerful soundtracks and singing. In the old man's place in the bar or in the songs outside the picture, there will be sad things floating in "Holding Branches and Birds Still", traveling through time and space. But more movie emotions are still inexplicable and bizarre that cannot be described, like the couple and the big black dog on the movie poster, like black slaves lined up and thrown into a huge brass instrument-this scene will probably be Many fans discussed it repeatedly. It is strikingly similar to the scene in which the director uses car exhaust to execute naked women in his previous work. The director still doesn't want to explain their intentions, only that they are a nightmare that is suddenly awakened, full of possibilities. You will hear beautiful soul music, or it may be an unstoppable miserable scream. Whether it is for the movie itself or human life, "Hard Branches and Sparrow Quiet" represents a kind of mystery and possibility. Even if Roy Anderson's films are by no means perfect, they are not affected by the world's film trends. It is also a great thing to achieve such a pace of pace for decades. [Published in "China News Weekly"] , "Han Zhi Que Jing" all represent a kind of mystery and possibility. Even if Roy Anderson's movies are by no means perfect, but they are not affected by the world's movie trends. It is also a great thing to achieve such a pace like a day for decades. [Published in "China News Weekly"] , "Han Zhi Que Jing" all represent a kind of mystery and possibility. Even if Roy Anderson's movies are by no means perfect, but they are not affected by the world's movie trends. It is also a great thing to achieve such a pace like a day for decades. [Published in "China News Weekly"]
View more about A Pigeon Sat on a Branch Reflecting on Existence reviews
