The empathetic passage is that the heroine meets the hero at the beginning, then the whole person becomes energetic, walking around nervously, and finally stops in front of reality. The rhythm of this passage is very fond.
I don’t know what kind of attitude the director has towards a role like Brooke. I probably agree with it. Someone in the short comment said that it’s good to be a romantic loser. This is good, it fails, but it is full of energy.
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