Is this life?

Repeatedly, I feel that what this movie wants to express is already well reflected in "Bad Boy" (2001?), and there is no deep-seated novelty. However, with the consistent advantages of ki-duk kim movies, it will still receive a lot of attention.

Now it seems that not all good directors can always make good movies (with new ideas). In this market, driven by society, they may repeat their previous styles until this style is familiar to people-and then numbness. Then continue to seek new breakthrough points. (Maybe this is an example of the ten-face ambush?)

Looking at the empty room, I regained my confidence in ki-duk kim, a completely new touch-it happened without bloody sex or sex.

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