——Zai Xia still likes the original Xiao Kaoru who does not eat or drink after Kenshin has left.
Your Cangzi is no longer the Cangzi you used to be. Your Jianxin will always be your Jianxin.
——The cut of the plot caused Cang Zi to look like a lunatic spoiler. In addition, Weng is so handsome.
unlimited shishio works
-I have to say that when I saw a bunch of shadow warriors of Lord Zhizhixiong appeared, I laughed at the end.
The CCO of the Immortal Pirates of Kyoto-
How much CG money was spent in the last fifteen minutes, the naked Pirates of the Caribbean has a sense of sight.
New Police Story ● Saitoichi
-The opening paragraph is really similar to the new police story by 99.99%. In my mind, Jackie Chan and Daniel Wu’s faces are always in my mind...
Okay, I have to say that this is still the case. A masterpiece. Abandoning the original work, it goes without saying that this is a good link between the past and the next. The plot is complete and logical. It requires psychological descriptions with psychological descriptions, and battle scenes with battle scenes. Kenshin really hit the place with an inverted blade knife, and his heart depiction was highly restored, and the last look in his eyes that was immersed in murderous aura without regaining his senses really made me kneel for Sato Takeru's acting skills. That is the expression that can be performed only after understanding the plot and understanding Jianxin's struggle.
Let's talk about Xiao Kaoru. Kaoruden was too calm. When I watched it, I felt that she didn’t show her love for Jianxin. She just thought she was cruel. When Jianxin and the hunting knife Zhang confronted, she shouted not to kill, and finally fell into the sea. At that time she yelled to live well. I feel that the screenwriter does not grasp Kaoru very well, and is too eager to let Kaoru play the role of a "living sword", holding Jianxin to prevent him from becoming an executioner. Instead, the facial makeup makes Kaoru thin. many.
Zuanosuke is a funny comparison from the first part...to this one...well, he is also a funny comparison in the original. Several plots are actually very good, such as the punch when I saw Jian Xin and the hearty smile that followed. This character has the essence of the original.
Although Hui doesn't write much, but it is very restorative. Yahiko and Shibendao's other soy sauce just showed their faces, nothing to say.
Soujiro is great. Although there is no psychological description, he is very good from modeling to acting. I think it can make people who have not read the original comics a little experience "Ah, this kid is very cute and powerful, but sure What's the degree of burden of the past". Super looking forward to the third part.
The first uncle inherited the character of the first film, not as cold as the original, he has the strength, has a sense of responsibility, and is so handsome...slashing someone with a cigarette in his mouth and finally throwing the cigarette away, it is really handsome to a new level...though I I'm expecting him to keep calling Zuo
Zhisuke an idiot plot... In short, as a commercial film, it has everything to watch and sells (it's a shame that the mainland can't go to the cinema to watch it), and although it is a commercial film, sincerity is enough. Sato Takeru's interpretation is quite good, not to mention the action scenes, the inner scene is definitely to understand the level of the original work, and warm applause. Takei Saki feels that this one is not as good as the previous one. It may be that the adaptation of the script is not suitable. Other characters such as Weng and Xiao Cao belong to the stunning level. Rurouni Kenshin changed to such a movie, and I am satisfied anyway.
Finally, it is still the first great movie. The plot control, tone music, plot adaptation, and actor interpretation are all very good. This is a problem. After all, the story of Kyoto is so long, it is still a bit reluctant to compress it into two theatrical versions.
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