It’s been three times, the subtitles have been turned over, and several lines can be spoken in Hungarian, but Beratar cannot be digested in many places. Like all rigorously structured works, Satan Tango is a perfect twelve-section ring, with the girl's cat abuse as the axis of symmetry, where all malice and vulgarity inadvertently act on the most innocent life, becoming the only color. In the section, the shadow of the white human figure was splashed with blood red and could not be mixed with the gradual black-gray in the background, so it was independently selected and called "unbound".
Next to it on both sides is a small symmetrical structure. If you look closely, you will find that the last mirror is back to the initial position. As the main body of "Satan Tango", this paragraph is about the carnival of the adult world, and sex is the radioactive power source in it, the naked embarrassment (Schmiedt), jealousy (Cramon), and relationship reorganization brought by sex ( Halics dances with Mrs. Schmiedt, eats a cheese roll with Mrs. Kraner), disregarded faith (Mrs. Halics), virtual moral barriers (Mrs. Schmiedt), and the mysterious club with masked group sex in the eye-opening ring. , Reveals that the world is regarded as taboo, but it is the most common and comprehensible language in the depths of adults getting along. So when the girl is like a cluster of small flames, walking from the wilderness in the rain to the bar in the dark, everything she sees from the window makes her experience not only indifference and coldness, but also incomprehension and horror, horrified by this group of demons. The world of indulgence, this world of orderly vacuum, is close to her, she wants to be in when she grows up.
Few people find that this large segment has a consistent musical logic, drum beats (dropping sound), tango prelude (cramon's broken thoughts), Galicia, to tango, a complete symphonic poem, ambushes it. There is also the work of spiders outside the field of vision, weaving a snare, and music like constructing and monitoring the strings of this symphonic poem, and it is also a metaphor for the fate that these farmers cannot break free. Cramon's monologue can even be compared to a cloud-like sound layer serving as a background, or a dominant motive. It has a rhythmic rhythm that repeats itself, disassembles, recombines, and changes in the repetition, and the overall musical thinking (plot ) Develop independently on top of it.
My journey of discovery of movies is actually a journey of discovery of long shots. Ozu’s long lens is derived from the order and balance of the East; Tarkovsky’s long lens is a poetic sequence, more like eyes and gentle gaze; Hou Xiaoxian’s long lens is to create a situation, An Zhe pays more attention to the ins and outs of emotions, it The source, continuation, ups and downs, enlargement and dissolution. What is Belatar? It is a sense of presence that requires "you are here", so there is a need for the length of time for the lens, and the viewer is forced to learn more and more about the environment, trees, soil, and rain in which they are in this time. Cows, farms, houses, their own eyes are looking for editing in the monotonous picture, and they can feel the impression left on themselves during the whole period of real time.
So why is the only Satan Tango so long in Taer's work? This is to talk about the strong deconstruction in the text from which it originated. More than two days in the story are actually repeated in the movie, narrated from different perspectives of each role, to strengthen the meaning and depth of the given time back and forth, especially on the first day, because of the participation of all the people in the village, The sum of time and events becomes chaotic and vertical, and the text is rich and time is superimposed. Rather than saying that Satan is a movie, it is actually more like a novel. It does not breathe out from beginning to end, but overlaps with different perspectives, intersecting occasionally, embedding each other, confirming, and supplementing each other (such as Ilemias The news of the return has been exaggerated many times; for example, after the doctor passed out in the forest, the three of Ilemias passed through the fog, which is the continuation of the third and second paragraphs; another example is that two civil servants modified Ilemias’s Letter, to complement the content of the letter interrupted by the previous dinner) of the building structure. So I don’t think that watching Satan for seven consecutive hours is a really suitable way of watching movies, just like you don’t have to read a novel in one breath, it’s just an experience that can be met but not sought, because of human nerves. Realization is too easy to desensitize.
Even though I saw such squalor, low-energy, short-sightedness, alienation, selfishness, and death all over my eyes, I still touched Tal's love for Hungary, like a mother who had become a prostitute. He made his debut from the bottom of the filming, and he did not belong to that piece of mud for a moment. After everyone evacuated the village, the doctor walked alone 8 kilometers to see the church, and found a madman inside was knocking on an iron block endlessly, shouting "The Turk is coming." Dirty land. It’s as if the doctor’s gaze on this piece of land brought the whole story back to a certain period in the Middle Ages. At that time, it was devastated by Turkey, deeply trapped in deep waters, and everyone was in danger. A hundred years later, under the dream of communism, it still has not escaped the destiny of barrenness. The iron that rang at this moment, and Vig Mihaly’s roaring and melting bells, were like the mother’s wailing that pierced the past and the present, and the flood that engulfed her in the mud, washing her out of the barren to hard to see. Far away.
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