In fact, every part is poked in the heart, and only five stars can be given. I found that I can still understand this information, and I have not been far from this life memory. Jia Zhangke is probably the director who understands China's micro-social changes best and grasps grassroots thoughts best. Qiaoqiao's whereabouts is to take the audience on a tour of the civil society ecology of the Three Rivers and Five Lakes. My favorite was that wedding reception - called "The Eater" in our case - and it was a memory coming back to life while watching. things in movies. Whether it's a disco, grass stage team or ballroom dance. Whether it's a cheap mineral water bottle that travels thousands of mountains and rivers with Qiaoqiao, or a mobile phone raised to Brother Bin after many years of reunion. When Brother Bin asked "Where is this", Qiaoqiao silently took out the Gaode map on his mobile phone and handed it to Brother Bin, feeling tragic and solemn. And the last thing is the monitor. I always remember Wang Jing saying in "Round Table School" that Jia Zhangke's technique was not good. Jia Zhangke's films have a little magical color in the ordinary in a large area and a long period of time, like the shooting stars in the starry sky that night. There is always a bit of humor in daily life, such as the scene of "Please Second Master" at the beginning. Some discourses with a bit of memory and politics are also played with ease. Watching "excessive" reality on the screen creates a sense of absurdity, such as the ballroom dance before the spirit. This effect occurs when several very different realities collide—in fact, a period of social transformation. This woman is so admirable. Brother Bin still left, and the children of Jianghu died in the grass. Gray is the purest white.
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