I rarely watch such a purebred commercial film. Since Yang 6 is playing and it is Wu Yusen's film, I might as well watch it. Because I didn't watch much, I couldn't adapt to the habit of watching purebred commercial films. I suddenly found that the plot of commercial films was not as coherent as art films-probably many art film directors completed their creations under a kind of artistic impulse, and the overall grasp was clear. Of course, Wu Yusen can't be blamed for this incoherence.
The story is so imaginary, but it’s not complicated. Generally speaking, Tom Cruise received a certain mission—it was not Mission Impossible at the beginning, but just hanged a beauty that was necessary for the mission within 24 hours. Wait for new arrangements. The later story was the commercial version of "Lust and Caution": Kwong Yumin, played by Ah Tang, learned that the evil leader who mastered the artificial virus Camilla and its antidote loved Wang Jiazhi, who was still a female thief, so he tried his best to persuade him. She was able to push her to this Mr. Yi. The female thief helped Tang obtain important information, but was discovered. The jealous and angry evil leader must of course retaliate. He also understands Tang’s battle plan and is prepared to wait for Tang to exterminate the Camilla virus. After the gunfire between the two sides was over, the virus was wiped out to the last one. The evil leader could not imagine that Jiazhi had only Ah Tang in his heart even under threats. He actually shot the virus into himself, and Ah Tang couldn’t bear to kill her. In this way, mission impossible was turned on-the antidote to the evil leader was obtained within 19 hours and 58 minutes before the virus broke out. When he went to a seaside castle to grab the antidote—the evil head was here to negotiate with the boss of a pharmaceutical company that made the virus and antidote to take a controlling stake in order to make a lot of money when the virus broke out and the antidote was sold all over the world. At last, Wu Yusen’s pigeons have finally appeared. The ancient castle pigeons are not only moisturized, but their movements can also remind people of the surrounding movement. The most powerful one flew out in the raging fire, bringing out Ah Tang’s heroic posture... After, chasing, fighting, and Wu-style spear scenes, Jiazhi beauty is finally saved, and Tang also hides in the crowd with Jiazhi.
Carefully pondering the plot, it is really not rigorous, just the frequent appearance of a disguise technique is unbelievable. Of course, those who go to the theater to watch this movie are all going to watch action dramas and Tang. The money from Hollywood and the experience and skills of Wu Yusen are not unsightly. But leaving these aside, the whole film still feels unsound. According to "Southern Weekend", Xiaoqitang only gave Wu Yusen a little script at a time, watching the script while filming. The screenwriter was still a bad old man who fell asleep halfway through talking, and was still salivating when he fell asleep. The complete script was not available until the filming was completed. Under these conditions, we can see such a big box office commercial film, which is already very good. I want to see "Heroes", "Across the World", and "Blood on the Street" such a slick film, it is too demanding-it is like a film made by old Wu with blood. Wu Yusen is a good director and a good person. He has a long way to get creative freedom in Hollywood-"Broken Arrow" is a typical aggrieved work. We need a filmmaker like Leslie Cheung who sticks to the local area, and a filmmaker like Wu Yusen who creates influence overseas, so that we can see the development and hope of the film industry in China. When I write this, I am quite old Wu. We need to film "Ice Storm" and "Family Trilogy" with Li Ang, and also need to film "Red Cliff" and "Change Face" with Lao Wu. They are all Chinese. proud.
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