I brushed the old version with the new version and compared it. The color of the new version is good, and the emotional scene in the middle is very delicate. The begging girl explained that the reason for asking for money is indeed reasonable, but it is still not comparable to the old version, especially the third version. The samurai contest is a classic among the classics. Removing the classics to lengthen the emotional scene is like losing the watermelon and picking up sesame seeds. Another point is that the old version is a flashback technique with father-in-law’s narration. The new version has been removed, and the big villain is also slightly washed out. In fact, the worse the reality, the worse the villain, the more touching the viewer, although it is very cruel...There is also a very important point, Zhong Dai Da's acting skills really cannot be surpassed, changing one will change the taste! I may be the old version of the first, preconceived, but I have to sigh that the film made in 1962, whether it is the depth of the framing, or the composition, far exceeds most of the current movies, specifically Baidu, this Hashimoto Shinobu is Kurosawa Akira's queen screenwriter. No wonder it is so awesome, and the old version of the light is also used very well. If the girl is sent home after her death, the light and shadow are minimized, as if all the hopes in the family have been extinguished. The old version The father-in-law in the end was cut abdomen. This is the classic pen to let the so-called high-sounding warriors around to see the real Bushido spirit. The spirit of wanting to die, this abdomen cut is the real meaning of the abdomen, and it is in harmony with the theme, especially in front of a group of pseudo-warriors, a fake puppet body, it is more ironic! The removal of this paragraph in the new version is simply a big bug, and it has been changed to homicide. Well, if you think it is my preconceived idea, you can look at it the other way around. Look at the new version first and then the old version. You will know why the classics are no good. Beyond the!
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