Why is youth always hurt?

Conrad 2022-01-24 08:04:13

The first movie I watched after the epidemic, I went in happily and cried out?

Regarding youth, who can not be sad? After all, it is the word "departed". It's just that for most people, it's just the sadness of the passage of time, and we have all landed safely. Touching the top of his balding head and his round belly, wiped a few drops of tears, and sighed youth. For others, they failed to survive that cruel enthusiasm and became eternal young people.

The film is magnificent. The beautiful body of the teenager, the passionate sea breeze in summer, the heartless smile, and the passionate love that makes us ignorant middle-aged sigh. "The story behind the door, a well-known secret, the best night in my life." what! Want to read poems aloud!

But there are also a few discordant sounds. It's like a light tune, but there are always a few things that are not so pleasant. For example, at the opening of the Alex sailing boat when it rains, I, a middle-aged person, said in my heart: I need to watch the weather forecast when I go to sea alone! The next two people were racing backwards, and I took another breath in my heart: Isn't this the idiot we most hate to meet on the road? Hurt self and others! (If the noodles really happened, something happened)

There is no shortage of stories about youth. Just as history is written by victors, youth is what survivors like us do. The same youth narrative, the same youth love, and even a certain summer in the 1980s, "Please call me by your name", I have to say that it is slightly better in the story. There is no life and death in that youth story, and emotional handling is also very light (one peach does everything).

"What do people here do in summer?

Wait for the summer to pass.

And after that?

Wait for summer. "

This faint sadness seems like you and my life, long enough for people to taste. The life and death of "85 Years of Summer" is not very resonant. Is it possible that the French are more enthusiastic? "Affection does not know where it arises, and it goes deep. The living can die, and the dead can live. Life can not be with death, and death can not be resurrected. It is not the ultimate love. The love in dreams, why is it not true, and the world is scarce The person in the dream? He must be married by recommending the pillow, and those who are secret after the crown is hung up. It is also the theory of form." (French person Zhen Tang Xianzu’s European confidant is also?). Especially in a scene in the cemetery, I was very playful with Dumas's "La Traviata". I remembered how the little lover was so desperate that I must see the body of the deceased lover. How did she almost die after seeing the beauty of the past, but now she became boneless and rancid. I remember in the book that he was witnessing the opening of the coffin "Toute sa vie semblait être passée dans ses yeux......Armand ne bougeait pas. Ses yeux étaient rivés à cette fosse vide; il était pâle comme le cadavre que nous venions voir..." (His life seems to be concentrated in the gaze of this moment... He is motionless. His eyes are fixed on the empty tomb, he is as pale as the corpse we just saw...)

I am fortunate that I have become a middle-aged person who cares about real estate prices. Because if you watch such a movie in your teenage years, you must take it as your responsibility to find a boy like David who only lived for one summer but lived extremely beautifully, thinking that everything else is vulgar and living a life that doesn't burn! Just like "Dream of Red Mansions", youth is beautiful because we are no longer youthful.

Allow me to quote "La Traviata": "oh! Les hommes sont impitoyables! ou plutôt, je me trompe, c'est Dieu qui est juste et inflexible!" Fairness cannot be questioned!)

View more about Summer of 85 reviews

Extended Reading
  • Hollis 2022-03-16 09:01:08

    Ou Rong's strange love story is completely reduced to a literary mediocre work. If it is not for this year's special period, it will be difficult even to get the Cannes logo. Stories of gay men of the same sex are not uncommon in the context of European films, not to mention mainstream. However, the youthful and romantic atmosphere sought by Abaose in the film cannot fill the weak chemical reaction between the protagonists. The first part shows affection, and the second part talks about pain. Use the scene of a big scumbag quarrel that is both bloody and brainless as a turning point. The whole film can't find any role insertion points that the audience can focus on, leaving all the stereotypes and boring youth of being weakened by attackers.

  • Shaun 2022-03-20 09:02:50

    Hey, it hurts too much