Looking at the credits, this is still director Justin Theroux's debut.
The film starts from the narrative of the pressure in the workplace. An illustrator who is focused on finding inspiration for creation has no bad habits. He has been depressed for a long time and has formed a paranoid emotional expression. Therefore, the dialogue is very characterful.
White-collar workers face the fast-paced, and Chengri is struggling to design cartoons. When Henry and Rudy's partners rarely have free time, cutting the Italian ham sausage in the square and feeding the pigeons has become a delightful memory in his life.
When the frank and slightly stubborn Henry and Lucy came together, it proved that the workplace is not suitable for dating. At first, their language was always tangled and entangled. Henry needed to get out of the psychological depression caused by high-intensity work.
The love full of strong alternative modern light inspiration, like a bright and warm fairy tale in winter.
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