Regarding the Japanese soundtrack in "Little Joe", there are some critical voices. I think of it mentioned in the "History of Chinese Martial Arts Movies" I watched before. One of Zhang Che’s important contributions was the introduction of Western music into martial arts movies. At that time, everyone thought I think that the soundtrack of this type of film must be traditional folk music. As a result, when the situation is tense, "Ambush on Ten Sides" is often used. When there is more, it seems monotonous and even monotonous. ~ Zhang Che's reform is the right medicine and breaks this inherent. Cognition broadens the possibility of its background music performance. As a result, I think that, as the director said in the filming talk, the use of Japanese-style soundtracks in Western-style movies is also an interesting attempt. Why not? By the way, in the narrative context of world movies, Eastern voices have long been inferior. Too many people naturally think that the West is superior to the East. This really requires extra vigilance. Self-denial is better than external denial. More terrible~
2019/12/1
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