Ozon has become more and more mature and breaks through films with themes such as women’s self-awakening, LGBT rights appeals, and the flow of emotions. It uses new girlfriends to try to construct the boundary between gender and love flow, breaking the current traditional morality. Although the boundary of the definition and definition of gender and love is not refreshing, it truly expresses the so-called breakthrough of the self-boundary of gender and what is universal love.
According to the traditional moral definition, the only love we are talking about is that the love of men and women is normal. The love between parents and children must have the boundary of family affection, and the love between same-sex friends must have the boundary of friendship. Anything that breaks the boundaries. Both are taboo love or so-called unethical love. Such universal values have constructed a global outlook on love, which is also the entire universal value established by patriarchy in the age of patriarchal society. With the rise of disadvantaged genders, the self-awakening of female consciousness has brought about a series of complex gender cognitions, including but not limited to inter-gender cognition and transgender cognition. In order to maintain the stability of the patriarchal society, the vassal of women’s rights in the patriarchal society does not fundamentally solve the problems of different genders and different human rights. Therefore, when discussing fighting for the rights of women and even LGBT in a patriarchal society, these disadvantaged genders have been placed on a differentiated platform from the root, and any protection that comes out is based on the absolute rule of patriarchy. In the class consciousness, this is the greatest sorrow at the moment. On the other hand, Ozon completely breaks the cognitive problem of gender. No matter what period or state it is in, it is no longer entangled with specific gender factors and external representations of gender, but pursues the borderlessness of love. Indeed, this flow is the whole The breakthrough in the underlying architecture is also the touching moment that makes me most delighted.
The actor's performance on the damage caused by gender recognition to the role and the kind of touch is also in place. When Claire stops having sex and tells David that you are a man, Claire no longer regards him as his childhood girlfriend Laura, or rather Claire didn't regard David, who disguised herself as a woman, as Virginia when she knew that she liked women. This is Claire’s hindrance to gender cognition, and the grievance and weakness that David felt when he was tired from the corner of the bed were his doubts about the breakthrough in gender cognition, and when the last two people took their daughter Lucy together, they held hands. This gender recognition was broken, and finally accepted, love is the only proof. There are many examples like this. This kind of many has concealed many small bugs in the whole film, but it still brings the audience to open the curtain of Ozon's heartache, watching the complexity and variety of Ozon's heart.
Good director, looking forward to your next flow.
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