Just mark it. I really like the tension and feeling of the story itself. I like it very much when I grow up a little bit, the more I can feel the gap between the rich and the poor and the habit gap caused by the gap between the rich and the poor. Sometimes these gaps will be like mosquito blocks. My body is a bit tingling, so when I grow up, I might understand and even empathize why Emma yearns for aristocratic life and why he can’t stand the days when he can’t go out of the countryside. Every one of us has our own thoughts, and everyone has. The desire is higher than one's ability, but not everyone is Madame Bovary. All the hard work we put in, all the books we read, all the knowledge we acquire is to prevent us from becoming Madame Bovary-to prevent us from imagining with high eyes and low hands, to prevent us from falling into the abyss, everyone has their own vanity, But dealing with our vanity and desires positively and taking control of our own lives is the key to not going astray.
Another little record
From the beginning to the end, Monsieur, a waistband with a high sense of existence, is a bit like the incarnation of Emma's desires. There is love and temptation, and it is irreversible (it feels that the performance is also the epitome of desire in snacks). In the film, Dr. Bovary treats patients in surgery. Healing and hunting (the cruel scene of hunting deer) is the key to combining the elements with good clothes. Emma has too many clothes to make Emma like oriental elements very much, except for all her gorgeous dresses in the East that she yearns for in her book. All have oriental embroidery. In fact, I really like the tone of this movie. Emma wore a yellow dress when she died, like a dead leaf falling on the ground.
Other,
Men are really unreliable, never fully entrust yourself to men?
Doctor Bovary is a rare good man, but he is really miserable. .
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