I don’t know why I suddenly wanted to watch a horror movie to uncompress it, so I watched the classic Japanese horror movie "The Grudge". It may be because of the fatness of the courage, I was not scared the whole time, and I was bored with the horror scenes. But afterwards, I had to admire the delicate techniques and magical ideas of the Japanese director. No snowflake is innocent during an avalanche, and resentment grows bigger and bigger like a snowball. The so-called hateful person must be pitiful. Anyone who has been deeply involved in the plot will involuntarily stand on the position of Kay coconut to express sympathy and regret, right? This is a combination of compassion for the victims, the innocent, and the weak. The film uses a dark and terrifying technique to transform fear and repression into shock and moving after being deeply rooted in the hearts of the people: if you are truly afraid, you will be awed, and if you are truly terrified, you will pay attention. Ugly and disaster are another kind of causal reincarnation. In the expansion and spread, people are more and more impressed by the preciousness of love and tolerance. The destruction of beautiful things is a tragedy. The scene where Kyoko smiled and handed the scarf to Xiao Jia coconut before his death was frozen in my mind and stayed for a long time. After being reborn as Kyoko's daughter, Kayako obtained a human body, but retained the grievances of the previous life; Miss Kyoko dedicated her selfless maternal love to her, just wanting to drive away the grievances in her heart. When many resentments in the world gathered together, Kyoko's love seemed weak and weak, facing death Kyoko calmly and calmly, facing her daughter's kindness and revenge, she chose to retaliate with virtue. Kyoko fell down the steps, but she will certainly not become a new grudge. This is one of the few comforting points, and it is this way that we can see that the director also injects fake ugliness while not covering up fake ugliness. Hope and forgiveness. Perhaps Kyoko has been satisfied with Kayako's momentary incomprehension and touch, after all, Kyoko has succeeded in a sense. But the director does not allow the ending to be perfect. Incompleteness and regrets often hit people's hearts more directly, and the never-ending grievances will continue to be staged, just as the unfairness in the real society will never cease. I unconsciously searched for the introduction of "The End of the Grudge". I thought it was "The End", but found that the "Grudge" was still circulating. I couldn't help but want to curse: Is it endless? But when you think about it, this kind of arrangement is the most realistic, and it can be better to call for... I hope that there will be more Kyoko in the world, and I hope that Kayako can put down that diary...
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