"Sword Rain" builds a solid world: there are causes and consequences, daily life, relatives and lovers, enemies and benefactors. The world in too many movies is now in chaos: the age is wrong, the logic is illogical, specious, and inexplicable. "Sword Rain" therefore appears more textured and realistic.
When I watched "Di Renjie", I felt dry: without emotion, any movie is not good. "Green Snake" is rippling, "A Chinese Ghost Story" is tumbling, and "Swordsman" is mighty. Water is passion and desire. In "Sword Rain", there is no rivalry between men and women. It rolls up and down. It is one meal and one meal. It is an ordinary kindness, but it is moist and full. It is not the magnificent pictures, special effects and special effects that determine the quality of the movie. I always think that it is still not moving.
The last one: "Sword Rain" is a movie directed by Su Zhaobin.
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