Not to mention the unimaginable Kung Fu aesthetics brought about by the three peak challenges of multiple combinations, completely surpassing the thinking and barriers of previous Hong Kong-made Kung Fu movies. The violent scene presented by the black lens itself has a sober reflection like weeping, coupled with the magnificent and turbulent soundtrack of Chen Guangrong’s poems, wow, let me use the standard of reading comprehension to say: direct to the soul, sublimation Theme!
As for Brother Ren's religious positive energy beliefs and the meaning of the wolf in the city, we shouldn't care too much. After all, after many years, Hong Kong movies have been able to produce such a cross-age work that is not only well-equipped and well-equipped, but also full of sentiments. In commercial movies, I feel that I am not losing to Hollywood, and suddenly I am very pleased to say that Hong Kong movies are still very good. It's hard.
The key is Zhang Jin. Zhang Jin's appearance is rigorous, clean and noble, and his heart is corrupt, dirty, cruel, and cold. It is simply a charming wife!
Domineering gangsters, handsome facial paralysis, uniform temptation, martial arts high-powered, talented and proficient in multiple languages, it also comes with a disease of Jiao Jiqing tie addiction, I, I, I, I can only say: Director, you really understand me!
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