Cut the biographical film from the perspective of pure love, the protagonist of the film actually represents the characters of the two classes, but the text basically avoids the content of social reality and class differences, and it does not retrospect the heroine in the form of traditional biographical films. In life, I didn’t discuss the reality of year-end love. I vacuumed the environment and made the pattern as small as possible. Although the two-line narrative method in the latter part is slightly old-fashioned, it still strives to show a biographical film that is counter-routine. In the shell of a biographical film, in fact, the core element is pure love. In addition, the multiple lighting in the film is quite good, and the natural light source and lighting scene pave the way, warm and beautiful.
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