Yearning for its own light

Nikita 2021-10-13 13:06:50

It’s not because I saw several friends discussing this movie with different attitudes and angles, and I wanted to say a few words, but because of the eight Oscar nominations this year, I like this one the most. "Burst Drummer". I think there is no shortage of misunderstandings among my friends, because JK For Simmons's outstanding performance, many friends mistakenly believed that he was the protagonist of the film, so they transferred their dislike of the sadomasochistic Bole to the dislike of the film. This misunderstanding is a pity. In fact, "Burst Drummer" is very in line with American mainstream values, otherwise it would not be selected for the Oscar, which represents the aesthetic taste of most middle-class people. What it wants to say is very simple, that is, "believe in personal struggle." This is a bit of chicken soup, which easily obscures the rich expressions of the film, such as the relationship between teachers and students. But this film really reminds me of Simone Weil’s words: “If there is a desire, and if what is desired is really bright, then the desire for light will produce light.” Since adulthood, we thought we knew it. A lot of truth. For example, 1% inspiration is more important than 99% perspiration; iron rods can be ground into needles, but wooden sticks cannot. He hesitated about his talents before making any effort, missed the great time, and finally regretted it. Here, I want to throw out a statement that may attract countless bricks: In the art issue, what matters is not talent, but how much you desire for it. If you are eager enough, then talent will find you. I’m not a fan of Joe, but Jobs’ quote from Stewart Brand makes me feel distressed: stay hungry, stay stupid. Andrew's efforts for success surpassed the success itself. In the face of such an effort, success has been diminished. This is the light produced by the desire itself. When you are really awesome, nothing can stop you, even the ceiling of your field. Many friends also said, isn’t it just for quickness? It's jazz, how can you just be quick? I agree with my friend's statement that when I was in college, my buddies were full of disdain for a guitarist called "Shadow Hand" (the fastest in the world). He said that he was playing extreme sports, not music. Having said that, fast, maybe to pursue a kind of maximum freedom in music. The performance of Buddy Ritchie, whom Andrew admires, can see the degree of freedom that technology brings him. It is the perfect combination of emotion and technology. The speed is extremely fast but not out of control. Only if you have such a large space first can you have such a corresponding amount of freedom. I think Andrew's relationship is normal. There is no scumbag. Andrew must like that girl, but he gave his love to the drum, so it is inevitable to lose love. That girl also likes Andrew, but she has an ego and doesn't want to be an agent or nanny for the rest of her life. Very beautiful love, but also very regretful. Andrew's perseverance and desire even defeated the sordidness between people. If Andrew is a melancholic person, then the hostility will turn into nasty, but the sunny and persistent Andrew defeated the perverted and insidious teacher Fletcher. After watching the movie, I thought of Simone Wei's words at the first moment. "If there is a desire, and if what is desired is really bright, then the desire for light will produce light." Perhaps the only thing that can transcend light is the desire for light. 2015.1.25

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Extended Reading
  • Alivia 2021-10-20 18:59:32

    "There are no two words in English that are more harmful than'good'"! WTF! ! ! The drumming part was numb throughout the whole process, and I was immersed in the experience of being taught, but there was also a timid reaction. "Full Metal Shell" sounded jazz, and the devil's masters and apprentices encouraged "Chicago", the truly desperate "Death Poetry Society". That Charlie Parker story was once thought to be the tiger in "Boy Pie"...

  • Carey 2022-03-23 09:01:09

    Except that the lens is too fragmented, the picture is too exaggerated, and the virtual focus depth of field is slightly too MV style, the others are perfect, and the overall is very exciting. The bridge section of the band's special training is very much like "All Metal Shell". The editing of this film is too difficult. The lines are very exciting. Simmons' performance is very catching. It's a pity not to pay attention to it.

Whiplash quotes

  • Andrew: But is there a line? You know, maybe, you go too far and you discourage the next Charlie Parker from ever becoming Charlie Parker?

    Terence Fletcher: No, man no, because the next Charlie Parker would never be discouraged.

  • Terence Fletcher: It's good to work, huh? How 'bout, uh, Caravan? Bar 105.

    [the band prepares; Ryan Connolly is on the drum kit]

    Terence Fletcher: Two bars for free. One, and two, and-

    [Band begins to play for a moment only to be immediately cut by Fletcher]

    Terence Fletcher: That's not quite right, Connolly, um-. I'd like to try Neiman on this.

    [Ryan gets up from the kit and is replaced by Andrew]

    Terence Fletcher: Maybe now's the time for Neiman to earn the part. One, and two, and-

    [Band plays for a moment only to be cut by Fletcher again]

    Terence Fletcher: Nope, I guess not. Tanner?

    [a reluctant Andrew gets up from the kit and is replaced by Carl Tanner]

    Terence Fletcher: One, and two, and-

    [Band plays and is immediately cut off again]

    Terence Fletcher: Motherfucker! Connolly, get your ass back on the kit!

    [Ryan replaces Carl on the kit]

    Terence Fletcher: We will stay here for as long as it takes until one of you faggots can play in time. One, and two, and-

    [Band plays and is cut off yet again]

    Terence Fletcher: Looks like that might be all night. Neiman?

    [Andrew replaces Ryan]

    Terence Fletcher: One, and two, and-

    [Band plays and is cut off]

    Terence Fletcher: Not my fucking tempo!

    [to the rest of the band]

    Terence Fletcher: Sorry guys, hate to put you through this. If you need to fuckin' take a dump, or get a coffee, whatever, now might be a good time because we're gonna stay here until I find a drummer who can fuckin' play in time. I apologize to the musicians. Seriously, take ten, twenty, a fuckin' hour.

    [to the drummers]

    Terence Fletcher: You hear me, cocksuckers? You better start shitting me perfect four-hundreds! Connolly, get your fuckin' ass back on the kit!