Isn't it? The opening chapter 1 scene is so well done, from the tightness of the rhythm, to the grasp of the light, to the preparation and release of suspense, it is perfect, and I began to have a vision for this movie: Quentin really wants Make a big movie. What is a big movie? Not talking about the scenes. Take the war film as an example. Have you seen the Bridge on the River Kwai? Have you seen the field platoon? Tell the story in a down-to-earth manner. From the perspective of the passage, Quentin does not lack that ability when looking at this passage, as well as his feature film debut, Falling Water Dog.
But he can't speak well.
Just like Zhengde letting the emperor not be a complacent general, starting from Chapter 2, I have an ominous premonition for Lynch-style flashbacks. Sure enough... Well, even if the mood of watching a big movie is lost, simply let go of the burden and watch it with the mentality of watching Quentin and Rodriguez movies. Quentin is Quentin, he will not be like Ke Lin Falaire played Alexander in a masochistic manner. It's good to be an unscrupulous bastard, isn't it? Not everyone can do Sidney Lumei, John Houston. Since playfulness has the upper hand, let's juggle to the end.
Several sets of Quentin's tricks are played to the end in this drama.
The first two sets are mentioned above. One is the fun spoof of the B-level film. Hehe, I don’t know what I’m talking about after watching the movie, but people’s ambitions are much larger than ordinary B-level movies. If you want to play, you can play subversive things, such as adding subtitles, flashbacks, pseudo-records, etc. I won't talk about these small methods of dividing the screen. On the soundtrack, Quentin continued to carry forward the spirit of the Jaeger. The principle of how to mix and match makes several pieces of soundtrack seem paradoxical and inexplicable, just like Lin Daiyu with Sheng Pule and Tian Boguang with Tachibana, although the eight poles can’t get together. Go, it's like that. From content to form, it will make you crooked. Another characteristic is the grasp of the suspense of the indoor scene. Quentin can already be regarded as a master at this point. Luoshuigou’s super control has already been demonstrated in this debut work. Now that he has more resources, he is already suspected of showing off his skills. Except for the beginning, the bar at the back meets the bridge, and it was a smooth play. What kind of news are you embarrassed to praise yourself for suspense? The passage of about half an hour is enough for you to find a place to be embarrassed! To grasp this kind of tension in several people's indoor theater, China is also able to fight Du Da Pao with one of them. Speaking of which, it's a pity that Quentin doesn't do stage play.
In addition, the Quentin-style nonsense performed extremely well in Christoph Waltz (that Jewish hunter, with a face that combined Daniel Day Lewis and James Woods, and a little bit like Depatillo when he was young. Under the interpretation of the old Javier Baden), it shows rare elegance. This time, the segmentation finally did not pretend to be 13 deliberately out of order like before (do you really think it makes sense for Quentin to scramble the order? He tm installed 13), just to lay out some plots on several lines. For professional audiences, better and more concise.
For such a spoof film, the only thing worthy of respect is Quentin's fanatical spirit. His fascination with the movie reappeared in a high profile after the reflection in the boring conversations in the past, and the on-the-spot operation of killing Bill's SB and King Kong. The small movie theater for the Germans is Weiße Hölle vom Piz Palü, Die starring Leni Reifenstahl. It is about the adventures in the snowy mountains. It is said that the filming almost caused a real avalanche. The heroine climbed up to pick up the subtitles, which may imply that she is in the same situation as the protagonist in the film, dangerous but determined (similar to many in metaphors). It was a 1929 movie, but it was re-screened in the 1940s, apparently to cater to the Germans. Later, when the heroine was taken away by the Germans, what was shown in the theater was the most well-known film during the French occupation-The Crow, directed by Crusoe, was a noir film about informers. As for the comrade Emile Johnnings (that is, the fat man) who shook hands cordially with everyone, he is indeed a great man. He has become popular since the 1920s. Simply put, he is the first Oscar actor. Quentin has set countless small jokes and little easter eggs in the film. For this alone, it is worth watching this film twice.
However, in the end, it is still a bit regretful. After watching this film, it made me miss the hard-line World War II movies in the early years, like a distant bridge, like an eagle over London, like the Nazi sixteen dead men, it’s nice to accompany Quentin "reasonably and well", but When will we see the hard bridge and hard horse again?
Quentin, you unscrupulous bastard...
View more about Inglourious Basterds reviews
