So this is basically a complaint.
Fairly qualified sci-fi movies, although the ideas are too soft to withstand scrutiny, although there are no high-cost scenes, at least the depressive, dull and slightly tragic atmosphere deliberately created by the director caught me, and at the same time it is a kind of if there is nothing. His sorrowful and compassionate eschatological feelings serve as the background color, and anyone will have the urge to tilt his head and contemplate. Even the title of the film has a taste of mystery, obviously there is only one child, why use the plural Children? Say it is pretending to be forced, at least the goal has been achieved. Regardless of whether he has an answer, just throw out the question first.
The ending song is a bit high-spirited, and it contrasts sharply with the sad opera female voice in several places in the middle of the movie, because the preservation of the son of humanity gives people some hope.
Turning to the TV screen after watching the movie, the news is broadcasting the street riots in Libya and Egypt, and the plot of the movie seems to have a continuation in reality. Think of the Middle Eastern accents of the various refugees in the movie, and there is even a Chinese person saying "Go, go," in a place. I have to suspect that the director is using the future to allude to reality.
So I can understand how the screenwriter brazenly wrote England as Jerusalem in troubled times, but didn't even say a reason. The people of my empire have sufficient self-confidence and self-esteem, so you will come to Britain as refugees in cages through thousands of mountains and rivers.
The youngest person who died in the opening film, Baby Diego, has a taste of the Holy Child. The scene where a street gangster died and burst into tears has a unique sci-fi beauty that violates but is very interesting. It’s hard to predict at which levels a society that has not seen pregnant women and babies for 18 years will change. I can’t speculate about the economic changes caused by demographic changes, but the simple prominence of chaos in the movie always makes people feel that Something is wrong.
I only know that in the world in the movie, Durex must have already gone bankrupt.
Sex without condoms may be the only benefit in the last days. The excitement of the young father waiting for the birth of flesh and blood in the hospital corridor has become a vague and fond memory of the middle-aged.
Don't complain about the second player who always wanted to kill Faron but was destroyed and finally killed by a shelling. Righteously yelled at Faron: "He's only nineteen years old!" Isn't it right for you to kill? Don't blame others for being quick!
The seemingly well-regulated terrorist organization can’t even protect its own head. It wants to kill Faron, but there is no one to watch. The boss died and a bunch of people sat down and chatted for a while and chose a new leader, Faron pushed. A car with two women actually dumped you guys who were running wild!
As a result, I became increasingly unable to understand how the heavily armed British troops drew a tie with these villagers. This kind of firepower gap can make street fighting so anxious.
The black man said that the monologue that he cried when he went upstairs with the baby was a bit interesting, but it was covered up by the gunfire and said it too hastily.
Faron escorted KeeKee downstairs with the child in his arms. The silenced section of the smoke-filled street is the most emotional part of the film. Only the unique scenes of this kind of science fiction movie attract me the most.
In the end, the small wooden boat took the holy infant to the big boat in the thick fog, and the words Moses, Jesus, and Ark came up in my mind, which is illogical but religious. I also feel that the director has been relying on that opera girl to create a tragic religious atmosphere.
The name of the ship is the symbolic The Tomorrow, again. The unfilled pit is imaginative, but it is very emotional.
I always thought that Mr. Michael Caine played the role of the old British gentleman with the most emotion, but I never thought that playing a hippie would also have both body and soul. In the end, being beaten to death for telling the second terrorist to Pull my finger made me really shake. such a pity.
In conclusion, after watching a movie about the sterilization of all mankind, I don't know why the crotch faintly hurts. Since then, the overwhelming infertility advertisements have an inexplicable sacred feeling in my eyes. They are the hope of mankind.
May the world be peaceful. Please don't let mankind die. Amen.
View more about Children of Men reviews
