Only this one, to be honest, feels too much. I can't believe it was shot by Quentin. I can't find a trace of Quentin except for the chapter-style narrative method and some unexpected small twists.
The first is the setting. Regarding the setting of the Japanese gangsters, I am sorry I can imagine a group of men wearing suits and white linings with small swords and pss on their waists, but they really can’t accept the same black eye mask and making a fuss in front of the boss. The black club of the group, shit, is this really the underworld and not the kindergarten killer? And the higher the status, the stronger the individual's strength is. Is this playing RPG?
Especially when Liu Yuling took a group of people to the singing hall to have fun (at least the message conveyed in the camera is like this), students, if you first block Quentin from your mind, imagine this is some unknown How would you comment on the scene and setting of such a collapsed film produced by the director? I know Quentin is a ghost. He often shows off the faces of the audience. The energetic Mr. Orange in the previous frame yelled in the car that I was going to die. Just die in the cinema in the cinema, this is Quentin's usual feature, passersby will say that this director is really damn talented, fans will be excited to scream that this damn is Quentin. But, this, this, this, I really can't accept this, this is not willful at all, this Nima is paying tribute to the pleasing goat, right?
As for the so-called violent aesthetics, hehe, I admit that I don’t appreciate this aspect very well, but I have seen the character of the death squad kill the wolf man. I know at any rate that the first generation master is better than Tai Chi. I know that Kill the wolf 2 is a good game. The wolf is a bad movie, and I can tell whether the martial arts scene is wonderful or not, good or bad. But you tell me that this kind of dragon Aotian style fighting is called violent aesthetics? Are you telling me that this clumsy shot editing looks good? Go, your uncle, I'm not blind. If the protagonist picks 88, if it weren't for the splashing plasma, it's refreshing, I almost fell asleep. The same is 1vN, and the same is the protagonist's open-and-rolling anti-kill. "Wolf Tooth" looks so refreshing to fly, and the scene of the fight in the rain is so handsome that it explodes. But killing Bill, except for the unerring ketchup, there is no sense at all (it only makes people fresh for a few seconds when the color changes to black and white).
There is also a narrative editing. I saw that the protagonist was looking for the Hattori Hanzo cast knife. To be honest, I watched so many movies of Quentin. This is the first time I feel that the nonsense is procrastinating. I can watch the unsatisfactory gossip of Luoshuigou in the opening film, and I can watch the punk novel director and Vincent go all the way talking about the boss woman, but I really can’t appreciate the protagonist here. A lot of dialogue, I can't really appreciate it, it's boring and meaningless.
Throughout the whole movie, I don’t comment on the plot. The RPG game is like playing bosses all the way through the scene. It is neither good nor bad, and Quentin’s movie highlights have always been in this aspect. The classic chat-style dialogue does not have Quentin’s. The other movies are as impressive as they are. The narrative is classic and well-regulated compared to Quentin. Apart from the fact that the middle section of the American comics is really a magical touch, I can't find a trace of the advantages of this movie.
Some people may say that Quentin’s film is cool. By the way, I add some more words to Quentin. This is a satirical evaluation of movies. There must be in-depth evaluation standards. Contemporary movies must always contain a lot of positive energy. La la la, as if Quentin fart contains a metaphor for the world.
In this regard, I mean, what do you mean is that this movie and those extremely brain-dead YY net articles belong to the same group? Is it cool to use nothing but cool or cool? If it is, then I have nothing to say, what else can I say when it comes to this.
In short, I said that I think this movie is terrible. I only watched 1 or 2 and haven't watched it yet. I really can't bear to watch it. I'm worried about destroying Quentin's great image in my heart. Considering that maybe my appreciative level is really leisurely, and I didn't see the extraordinary features of this movie, please help me to point it out, Crab.
Just a few words of self-deprecating ridicule, don't take it seriously.
View more about Kill Bill: Vol. 1 reviews
