Watched it off and on for a few days.
The first two episodes looked good, and I wrote a short review, but the more I wrote, the longer I wrote. After reading it, I will write it up and find that the short comment exceeds the limit. If I don't vomit, I have to write a review of the drama.
"Compared with the film version, many adaptations and improvements have been made, and the sufficient time brings more three-dimensional characters. The Saoirse version of Hanna is more ethereal, like a fairy falling into the mortal world; this version is more human. No matter how alienated the crowd, No matter how many killing techniques he masters that do not match his age, nothing will affect an ignorant girl who slowly grows up under her well-carved body.
The character of Hanna is pathetic. In fact, people are not afraid of choosing the wrong one, they are just afraid that they will not have to choose. Hanna was born with a mission given by others, and embarked on a desperate journey because of the end of the mission. Curious by nature but isolated from the world, killing people without knowing why. Born for organization, living for 'father'.
Hanna is actually not a person's name, but the code name of this body. There are thousands of Hanna in the world. She can be Rosie, Cindy, or Hu Niu Cui Hua. "
The above is a short review written after watching the first two episodes. After watching the whole drama, I found that the follow-up story is quite consistent with my previous thoughts, so I will post it here without making any changes.
Let’s talk about the two issues mentioned in this short comment, and the others will not be repeated.
242, 249... in the restart plan at the end of the play also seems to confirm the "codename of the body" mentioned earlier. It doesn't matter who they are or what they think, what matters is their function, their value to the organization and society. The so-called gear, but that's it.
As for Hanna, fortunately, her continuous growth and awakening in contact with the crowd has improved the artistry of the series.
Hanna's growth and awakening, her struggles after awakening, and the futility of her struggles, all remind me of Nora.
Hanna doesn't go back, and the subject doesn't want to wake up.
But what about waking up?
"What else did she take with her other than her awakened heart? If there is only a scarf with a purple velvet cord like yours, no matter how wide it is two feet or three feet, it is completely useless."
"The most painful thing in life is to wake up from a dream and have no way to go. The dreamer is happy; if you don't see the way to go, the most important thing is not to wake him up."
What happened after Hanna left.
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