Bollywood's proficient artistic skills make the whole film intricate and highly enjoyable. The plot is set up layer upon layer and interlocking, without wasting any detail. In the use of foreshadowing, it can be called a model of drama creation. The audience's expectations are always firmly in the hands of the screenwriter.
Two blind people love each other, what will the scenery look like? What kind of ups and downs will it encounter? From the very beginning, people couldn't help but wonder: Where will the protagonist's love and difficulties come from? When they fell in love, the two separated from the shopping mall, but there was no accident on the escalator; on the wedding night, a pile of candles at the foot of the new bed did not accidentally cause a fire; the construction site of the unfinished new house did not even fail. The real danger of the whole film comes from the powerful dicks and dogs coveting the beauty of the female protagonist, and bullying the two of them blindly. When the female protagonist was violated for the first time and the male protagonist went home to search for his wife, the audience in the theater whispered: Suicide. But the heroine lived strong, reported the case, encountered kidnapping, found that the police had been bribed, and complained that there was no way to complain, but she would comfort her husband tenderly and be full of hope for life. Seeing this, I can't help but admire these works of art in India rooted in the social reality of suffering: they need depth and depth, and complexity and complexity.
However, after the heroine suffered a second assault, she committed suicide.
Although the male protagonist keeps repeating the line "My wife is strong", the film finally obeys the wishes of most audiences-the woman who is violated has only one way to die. Although the next story turned from a romance to a suspenseful action film, which is very exciting, more possibilities for the story have been eliminated, and the following discussion will no longer touch on social suffering, but a purely commercial film. At this turning point, the film loses its soul. If the female protagonist does not commit suicide, the male protagonist cannot be inspired to take revenge and perform a revenge story similar to "Death Unknown". If the heroine didn't commit suicide, the screenwriter probably wouldn't know how to develop the plot line.
The social reality of India's misery has nourished a thriving film art, from Slumdog Millionaire to Mystery Superstar. But this same real suffering also limits the screenwriter's artistic imagination.
What happens to women who are raped or killed in American film and television? Catwoman, CSI... Various female characters who have been violated, don't remember suicide.
So if the heroine doesn't die, what will the movie do?
Can we both get revenge together? Could it be the male protagonist who died and the female protagonist to take revenge? Is it possible to join a supporting role? ... All possibilities were erased at the moment when the heroine was arranged to commit suicide. Although the movie is wonderful and beautiful all the way, it is only wonderful and beautiful.
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